• Year Without A Winter

    Year Without A Winter

    If you’d known me as a boy, you could be forgiven for never knowing quite what what to expect of...
  • Canada’s Poet Laureate

    Canada’s Poet Laureate

    I seem to recall a time – maybe I’m imagining it, but probably not – when people earnestly argued over...
  • Scene Of The Crime

    Scene Of The Crime

    Between the time when Operation Ivy broke up in 1989 and Rancid formed in 1991, Tim Armstrong and Matt Freeman...

Year Without A Winter

Year Without A Winter

If you’d known me as a boy, you could be forgiven for never knowing quite what what to expect of me.  I had no idea either.

If you saw me hanging around the street corner with my gang, you might figure me for a moronic, mindless thug; apart from the fact that I was too scrawny and weak to do any real damage without some genuinely tough guys to back me up, you wouldn’t have been far from the truth.  Look a little deeper, though, and you would have also discovered a shy, sensitive geek who could sing every lyric from Carousel or My Fair Lady and conjugate Latin verbs till the cows came home.

I discovered this ability to pivot abruptly between (among?) personas when, barely 10 years old, I founded my neighborhood’s first street gang, the fearsomely named Night Raiders.  I don’t know where I got the idea; this was years before West Side Story imbued me with the desire to go pirouetting off fire escapes and stabbing people in back alleys.  But I managed to enlist every 8 through 10 year-old on the block, with the exception of my best friend Rob, who, older and wiser (11 going on 12), warned me I might be biting off something I wouldn’t want to chew.  He ended up becoming a priest, if that tells you anything.

The Night Raiders rampaged up and down Carter Street for the better part of a week before the other boys’ parents got wind of it and banned them from playing with me.  Upon discovering that being the leader of a one-man gang was less than thrilling, I converted the Night Raiders into the more respectable-sounding Meteorology Club, which got the neighborhood fatwa against me lifted, but bored the hell out of the boys, most of whom couldn’t pronounce “meteorology,” let alone tell you what it meant.

Sitting around my basement studying the nuances of weather systems and cloud patterns couldn’t compete with the heady excitement of tearing laundry off clotheslines and letting air out of people’s tires.  The Meteorology Club struggled from the start, and once again I was reduced to a one-man operation.  I mention this not only to illustrate how my sociopathic tendencies were, from the beginning, interlaced with nerdly ones, but also to explain the origins of my curious obsession with weather.

If it weren’t for that obsession, I might never have heard about The Year Without A Summer, but in fact I am unnervingly familiar with it.  If you missed out on it yourself, it happened in 1816, when volcanic eruptions and other uncertain factors subjected much of the Northern Hemisphere to dramatic climate fluctuations that included midsummer frosts and snowfalls.  Crops failed, and considerable suffering, illness and death ensued.

Most of us – especially if we’ve ever lived in England – have seen summers of such dubious quality that they might as well be termed nonexistent, but the harm done seldom extended beyond disappointing beach holidays and a vague, overarching angst and resentment.  But this year the situation has been the opposite.  With the official start of spring less than a week away, we’re on the verge of having passed through The Year Without A Winter.

Here in New York we had a freak snowstorm at Halloween when it was effectively still late summer, with trees in full leaf.  Apart from a minor, very short-lived snowfall in December, that was it.  For the rest of the “winter” temperature seldom fell below freezing.  Even in January there were times when no more than a light jacket or sweater was needed, and February and March have already seen several t-shirt and shorts days.  Daffodils and cherry blossoms were more than a month ahead of schedule, and if the current weather keeps up – which is what’s being predicted – we should see most of the city’s trees in leaf before April.

These tulips were actually blooming in July in Iceland (you think our seasons are screwed up?), but we'll be seeing similar sights in a matter of weeks here in New York if this weather carries on like it has.

As much as I enjoy spring and summer, and as little as I savor the ice, snow and cold of winter, it’s disturbing.  Not just because it feels unnatural – a number of locals, bearing in mind the so-called Mayan prophecy, have taken to calling it “end of days weather” – but because it’s disruptive to the seasonal rhythm of work and hibernation.

A few years ago Aaron Cometbus and I were meandering around Carroll Gardens in early April as I enthused about the oncoming spring.  Aaron demurred.  ”It’s too soon,” he declared.  ”You can’t really enjoy spring and summer until you’ve had enough time hiding out indoors to get your winter work done.”  Being a fan neither of winter nor work, I argued vehemently against this viewpoint, but I’ve since come around to his way of thinking.

So how do you get your “winter work” done when there’s little or no winter at all?  I’ve got a ton of indoor things in front of me: the final editing of Spy Rock Memories is already months behind schedule, and tying up the bits and pieces of The Thing That Ate Larry Livermore which, thankfully, is on schedule, but still demands considerable attention.  Both invigorating tasks, to be sure, but hard to keep your mind on when it’s sunny and 70 degrees outside in the first week of March.  In a normal year, it might make sense to drop everything and run outdoors to take advantage of the day on the grounds that it might be weeks or months before there’s another one like it.  But this year has seen day after day of stunning weather, leading to the temptation to put off all work until, oh, next December, maybe.

Not that I need excuses.  I’ve never had difficulty finding those, come rain, shine or foreshadowings of the apocalypse.  Putting things off to the last possible minute seems to be intrinsic to the human condition, or at least my human condition. For years – all my life, really – I’ve wondered why I do this, especially when the end result is so often a piece of work I’m less than fully satisfied with, and which I tell myself would have been so much better “if only I’d had more time.”

In 95% of those cases, I did have more time, sometimes tons of it, but chose instead to stare out the window, peruse internet message boards, or catch up on Law And Order reruns.  None of which I really enjoyed because I was too conscious of the what I needed – and, in my heart, wanted – to be doing instead.

I’ve read and heard many explanations for why I operate like this, but the one that makes the most sense is fear.  Yes, there’s the perhaps more obvious idea – often suggested to me by parents, teachers and bosses – that I was just plain lazy, but I think laziness is just shorthand for procrastination, and that both of them are ways of avoiding coming to grips with our fear of failure – or, if you want to get all woo-woo about it, fear of success.

As long as a task remains uncompleted, it can’t be judged a failure or success.  In fact, it can’t be judged at all, because, we tell ourselves, even a team trailing 18-0 could always pull out 19 runs in the bottom of the 9th.  This happens, if it happens at all, once or twicea century, but until we play those last three outs, nobody can prove it won’t happen.  Which makes it somewhat understandable why, when told it’s time to take the field, we respond with “What’s the hurry?”

So what are we talking about here?  Perfectionism?  Or the weather, which often serves as surreptitious metaphor for matters less salubrious?  As Oscar Wilde put it: “Whenever people talk to me about the weather, I always feel quite certain that they mean something else.  And that makes me so nervous.”

Well, the weather is making me nervous, and not because it might be a harbinger of the global warming that supposedly will see millions of us coastal dwellers erecting dikes and/or donning aqualungs.  At my age chances are great I won’t be around when New York becomes New Venice.  From a purely selfish standpoint, I should welcome the city’s long-dreamed-of (by me, anyway) transition from intemperate to semi-tropical.

But pleasant as it’s been not having to hunker down in scarves and snowboots, there remains something unsettling about it, something that can’t be explained away by ignoring the calendar and celebrating spring in February.  Even if calendars had never been invented, our inbuilt conditioning would tell us something is out of kilter when flowers luxuriate under balmy zephyrs while the sun still hangs low in the wintry sky.  It reminds me of when California would go through a winter with little or no rain.  People unfamiliar with the natural rhythms of the seasons or, more to the point, where their drinking water came from, would exult over the succession of warm, sunny days in mid-January.  Those of us who lived closer to the land would fear the wilting crops and dying forests of a drought-year summer.

The East Coast gets rain all year round and is blessed with abundant sources of water upstate and upstream, so it’s hardly in danger of drying up and blowing away.  And this being mid-March, it’s still possible some morning could find us buried under a late-season blizzard.  But I doubt it.  Just as, while I know it’s possible, I doubt this unnaturally warm winter will be followed by an unbearably hot summer (that might only be because for me, “too hot” is a nebulous, almost nonexistent concept).  I look forward instead to a long, awesome summer whose main problem will be convincing myself to go indoors long enough to write something now and then.  Or perhaps it will finally be time to hook myself up with that solar-powered computer and just live on the beach.

In other news, this has been a very special week musically. Two artists I recently wrote about here and here came to town; both lived up to and surpassed my expectations.  John K. Samson was at the Bowery Ballroom on Thursday; as much and as long as I’ve loved the Weakerthans, he has broken through to a whole new level on his own, with an even greater eloquence and ease of manner.  He played two encores and would have played several more if the crowd had had its way.  He performed his final song, the heartrending “Virtute The Cat Explains Her Departure,” without benefit of microphone or amplifier, counting on the audience, in the spirit of the Occupy mic check, to render it audible throughout the building by singing lustily but gently along.

Had they not known and loved those lyrics, or had John’s charisma and trust not been sufficient to carry them along, it could have been embarrassing, but instead it was transcendent and triumphant.  I once watched Billie Joe Armstrong, armed with only an acoustic guitar, hold 20,000 fans enraptured at Madison Square Garden, and thought that was a marvelous feat.  But acoustic guitar or not, he still had a multi-million dollar sound system to fall back on; to divest oneself of even that advantage, as John did, must take incredible courage and confidence.  It could have failed, but it didn’t, and the payoff was profound and terrific.

Then on Saturday Jesse Michaels and the Classics Of Love played a sold-out show at Death By Audio.  I almost didn’t go because of the venue’s policy of allowing indoor smoking (disgruntled patrons have renamed it Death By Asphyxiation).  But thanks to the request (or insistence; I don’t know the full story) of the performers and cooperation of DBA management, I was able to attend an entirely smoke-free event.  It was heavenly, and with any luck will cause both fans and management to realize, “Hey, we could have been doing this all along!”

The Classics played a short, fast and furious set that was as riveting and breathtaking as anything I’ve seen since Jesse’s days with Operation Ivy 25 years ago.  The lithe energy,  the impassioned leaps, the lilting, vulnerable vocals that danced between a rasp and a growl and held melody in thrall to a scream: it was as though Jesse had been reborn after years of wandering in the wilderness.  Offstage, he was personable, relaxed, even outgoing, a far remove from the years when his legions of admirers sometimes seemed to depress and even terrify him.  It added up to two of the best nights of music I’ve seen in years, and in the same half of one week.  If that’s how the year is shaping up, what the heck: it might as well be spring.

 

 

 

 

Canada’s Poet Laureate

Canada’s Poet Laureate

I seem to recall a time – maybe I’m imagining it, but probably not – when people earnestly argued over whether song lyrics constituted “real” poetry.  Most likely it was during the 1960s, when Bob Dylan’s visionary, amphetamine-fueled rants (I don’t have any inside info with regard to drug use, but they did go on a bit) seemed to blow away the dry-as-dust literary maunderings sold to us as poetry in textbooks and highbrow journals.

If the issue was ever resolved – as opposed to people getting bored with abstract definitions and moving on to more tangible discussions about how to overthrow the government or organize their polyamorous communes or whatever else it was that post-hippies used to get het up about – I don’t remember how it came out.  Like many young people, I arrived at a point where I began to be embarrassed over taking a folk singer so seriously and tried to find new outlets and postures through which I could show the world how cultured and sophisticated I was.  By the time I was in the 30s found myself even more embarrassed by that.

By then, fortunately, the world was awash in punk rock, which only idiots and journalists took seriously, and I no longer had the slightest impetus to trouble myself over what constituted true literature or art or poetry.  From time to time I’d get out the acoustic guitar, strum an old Dylan tune or two, and muse on the fact that certain of his lyrics had stuck with me throughout my life in a way that no academically certified “poem” ever had, but by the same token, most of his later work had become something of an embarrassment in itself, the sort of thing you’d expect Dad to produce upon re-uniting his garage band after all the kids have left home.

But eventually certain artists with roots in the punk scene, none more notable than John K. Samson, who’d started out with agit-pop rabble rousers Propaghandi, started catching my attention with lyrics that were powerful, poignant, and – at least in my view – undeniably poetic.  Having never been much of a Propagandhi fan, I first encountered Samson through his work with the Weakerthans, a long-running and much-loved Canadian combo who wowed me not only with their instrumental virtuosity and lilting, haunting melodies, but also with the way they could inveigle a normally rowdy punk rock audience into respectfully, even reverently singing – in some cases almost whispering – along with every single word of their songs.

In 2001 I interviewed Samson for Punk Planet, and we had a wide-ranging discussion, sometimes almost verging on argument, on a number of subjects, primarily but not exclusively political.  In addition to his performing and publishing careers – his “other” job is at Arbeiter Ring, a self-described left-leaning press – Samson is also a renowned activist with, for such a seemingly mild-mannered fellow, surprisingly strident views.  One question we touched upon briefly, and which I’ve periodically attempted to bring up again during our occasional meetings over the years, was the old “can song lyrics be poetry?” one, because I felt – increasingly so with each new album – that his work emphatically demonstrated that they could and were.

John K. Samson contemplating his Southern Manitoba prairies.

He demurred then (“I don’t think my songs can be defined as poetry, because they are coupled with music, and that gives an extra structure to them that poetry doesn’t have.  I personally think the most daring writing is poetry, because it’s just a blank canvas for words…”), and has continued to do so, while acknowledging that he considered some of Dylan’s work to be poetry.

Whether this is a literary point or simply a surfeit of modesty on his part, I can’t say.  I do know that at my very traditional Catholic school, with very traditional standards for just about everything, literature included, I was taught that the defining characteristics of poetry were “rhyme, meter and imagery,” all of which are richly imbued in Samson’s while, while much of what is formally recognized as modern poetry possesses few or none of them.

Another aspect of Samson’s writing that we talked about was his instantly recognizable sense of place, something missing from much modern writing.  Perhaps the internet’s ability to convince us that, no longer constrained by physicality, we are capable of being located both everywhere and nowhere, coupled with the ever greater homogenization of (in particular) Western society, has left us less likely to appreciate an evocation of a specific time and place that is anchored by the sights, sounds, smells and memories that only someone who has been there can fully recognize, but that anyone, even if they’ll never set foot on those streets or fields, can appreciate and aspire to.

Samson’s particular stomping grounds are the prairies of Manitoba and, especially, his native Winnipeg, a lovely but slightly forlorn city in the midst of the vast emptiness that is central Canada, from which, as his song “Longitudinal Centre” put its it, “the Atlantic and Pacific are the very same far away.”  While taking me on a tour of his town some years ago, he told me how Winnipeg was once envisioned as “the Chicago of the North,” but that people eventually realized there was already a Chicago, and another, far less conveniently situated one, wasn’t really necessary.

Winnipeg has, nonetheless, soldiered on, producing, despite its isolation, a startling number of talented artists, musicians and visionaries, and while some members of his band have left for the bright lights of Toronto (which, like Vancouver, has always beckoned to and drawn away from the heartland many of Canada’s best and brightest), Samson has stayed put.  Not without ambivalence, granted: see his “One Great City” (subtitled “I Hate Winnipeg”), which consists mostly of chronicling the small and larger miseries of a hardscrabble town locked into longer and bleaker winters than anyone should have to endure while counterpointing and overriding them all with his heartfelt lament for those who laugh and “watch the North End die.”

The North End is also home to Samson’s “Pamphleteer,” a, one suspects, semi-autobiographical character who becomes, pace Karl Marx, “a spectre haunting Albert Street,” trying to foist upon passersby the tracts and leaflets that even he himself might no longer comprehend but cannot stop producing.  But as much as he can poetically characterize the bleak cityscape, Samson excels equally at capturing the sometimes seductive, sometimes terrifying emptiness of the vast open spaces surrounding Winnipeg.  When, for instance, he sings about “Southern Manitoba prairie’s pulling at the pants leg of your bad disguise,” I never fail to feel the warm, rambunctious breeze that traveled a thousand kilometers across Alberta and Saskatchewan to slap me gently but relentlessly in the face the first time I visited one early summer.

I have had to, more than once, go back and re-read those lyrics to confirm that they said absolutely nothing about a breeze or a wind, or dust or corn fields, or grain silos or stillness, and yet those few simple words manage to evoke all of those things for me with a realness and substance that might surpass the experience of actually being there.  That is the mark of a true poet, and what for me makes John K. Samson one of Canada’s national treasures.

Apparently – I did, admittedly, have to look this up – Canada already has a reigning poet laureate, but they’ll be missing a sure bet if they don’t eventually get around to naming Samson to that post, and I’ll be losing a bet (made, it’s true, only with myself) that he’ll eventually make it.  There’s time – Samson is not yet 40 – but meanwhile, I recommend investigating and cherishing his new solo record, Provincial (Anti, 2012).  Call it poetry, call it prose, call it simply some lovely words set to beautiful music: it’s a window into a world that you should very much like to know.

Scene Of The Crime

Scene Of The Crime

Between the time when Operation Ivy broke up in 1989 and Rancid formed in 1991, Tim Armstrong and Matt Freeman formed several other bands.  One of them, Dance Hall Crashers, went on to enjoy considerable success, but without Armstrong and Freeman, whose involvement was brief.  Two others, Generator and Downfall, appeared and disappeared so quickly that if you didn’t live in the Bay Area and have some connection to the scene they inhabited, your chances of ever having seen or heard them would be slim indeed.

Both Operation Ivy and Rancid eventually achieved such iconic status that the in-between bands were almost completely overshadowed, but one of them, Downfall, has maintained a legendary if shadowy presence on the music scene for well over 20 years.  There’s a reason for that, and it’s not just that they were a great band, which they were.  It’s also that most of their music has only been available in the form of scratchy and tinny 8th-generation bootlegs, good enough to pique people’s curiosity, but not to satisfy it.  There’s a reason for that, too, and during my days at Lookout Records, questions to the effect of “When’s the Downfall record coming out?” (yes, for those of you who weren’t around in those days, there was a Downfall record; no, it was never released) became so frequent and inevitable that they became a running joke with Lookout staffers.  Not because they thought it was funny that so many people had ordered a record they never got, but because the question had become so utterly unanswerable.

Here’s the story as best as I can tell it: Downfall recorded an album (a 10″ LP was the original plan), the release date (it would have been Lookout 99) was announced, orders came flooding in, and then, well, nothing happened for a long time.  The cover art didn’t get drawn, the center labels (we were still doing everything on vinyl then) didn’t materialize, and somewhere in the middle of all the delays and uncertainty, Rancid started creating a lot of excitement for themselves.  Between doing a 7″ for us and their first album for Epitaph, Downfall seemed to get lost in the shuffle.

It wasn’t the first time a record had been delayed for unforeseen reasons, so Lookout employees, acting on the assumption that Downfall’s Get Ready For Action would be along sooner or later, issued credit slips to everyone who ordered it.  From time to time, all these years later, I still run into people either literally or figuratively brandishing one of those credit slips and demanding, “Where’s my record?”

But wait.  That wasn’t the end of the story.  Two, three, four – I don’t even know anymore – years after the original release had been scheduled, Tim and Matt announced that they were at last ready to release the record, but that first it had to be remixed.  Epitaph Records’ Brett Gurewitz took on this task and after some months handed back a topnotch product that sounded far more polished and professional than the hastily done original recording.  Everyone who heard it was excited, and since by this time both Operation Ivy and Rancid were far more well known than they’d been a few years earlier, it was assumed that the Downfall record would be nothing less than massive when it finally hit the stores.

Downfall at Gilman Street, October 1989, photo by Murray Bowles.

And yet… it never happened.  This time, the culprit, as near as anyone could tell, was Rancid’s breakthrough into the world of MTV and major label courtship.  Bear in mind that this was during the time, following in the wake of the runaway, game-changing success of Green Day and the Offspring, that punk rock finally made it through to the masses.  Madonna was backstage trying to sign Rancid to her new label, and she had plenty of competition.  In the midst of all this, getting Tim or Matt on the phone became far more difficult, and running into them at Gilman considerably less likely.  When I did talk to one or the other of them, I’d be assured that yeah, the Downfall record was still happening, but would have to wait until the current flurry of Rancid excitement settled down.  When might that be?  Oh, probably once the new Rancid album was released.

The new album turned out to be And Out Come The Wolves, the biggest Rancid record ever, and among the top 10 or so biggest punk rock records ever.  This did not help the excitement to “settle down,” instead launching Rancid into a nonstop round of touring and recording that was still going on when I left Lookout Records in 1997.  I assumed the people who took over Lookout after my departure would continue to push for the record to be released – it was really too big not to – and that eventually it would be, but it was no longer my job to worry about it.

I had my own personal copy to listen to – or did, until it got lost when I was moving house – and from time to time, when I ran into Tim or Matt, I’d ask them when it was going to happen, but eventually they got bored with answering or I got tired of asking, and that was more or less that.  By then bootleg copies had begun to emerge, but they were mostly of the original recording, not the Gurewitz remix, and since they’d all originated on some ancient cassette and been reproduced countless times, the quality was decidedly substandard.  And then of course, the new Lookout owners stopped paying royalties to most of their bands, the former members of Operation Ivy took back ownership of their records and severed all relations with Lookout, and any remaining chance of the Downfall release seeing daylight, at least on that label, vanished.

A couple of Downfall songs did make it into semi-wide release by way of compilations, and probably the best-known of them is “North Berkeley,” which appeared on Lookout’s Can Of Pork in 1992.  The lyrics, half-sung, half-rapped by Tim in what was to become his inimitable (though it didn’t stop people trying) and sometime impenetrable style, were the subject of some bemusement at the time, particularly the part that began, “North Berkeley, scene of the crime.”

What made it especially curious was the line that followed, or at least what a lot of people thought they heard: “There was a party, Adeline,” Adeline being a major thoroughfare on the the other side of town that didn’t go anywhere near North Berkeley.  Eventually someone suggested that it sounded more like “out of line,” but with Tim’s patented marbles-in-mouth enunciation, it was never possible to know for sure.  Anyway, the other part of the joke was that North Berkeley was about the least likely part of town for any crime scene to unfold.

West Berkeley, sure, South Berkeley, even more so, and South Campus provided easy pickings for muggers who preyed on clueless and often pie-eyed college students.  Even downtown, where I lived, could get a little rough, too, but North Berkeley?  That was where the rich folks and the professors and the people with maids and gardeners lived.  Well, maybe I exaggerate slightly about the maids and gardeners, but that was the way it looked to those of us from the other side of University Avenue.

Oh, but a couple years earlier, I’d moved into a room in a house on Berkeley Way.  Though still well within reach of downtown’s urban ills, including a tribe of squatters in the backyard cottage and a one-family ghetto across the street, it was a block north of University Avenue.  Its location led to an uproarious but eventually hilarious bustup with Tim or, as I was probably still calling him at the time, Lint.

We were talking about ideas for record cover art.  Tim wanted to use a big picture of a gun, and I was trying to persuade him not to.  This was in the heyday of gangster rap, remember, as well as the crack cocaine wars, and I thought it sent a bad message.

“Yo, you don’t understand, Larry,” Tim told me, “See, this is the reality of life on the streets down on my side of town.  You live in North Berkeley, that’s why you don’t get it.”

It’s true that Tim had recently moved into a room above a liquor store in one of the grittier parts of South Berkeley, but he’d spent most of his life in the very placid and tranquil suburb of Albany, which is even north of North Berkeley.  I pointed this out, adding that my $100 a month room one block past University was not likely to qualify me for membership in the early 90s version of the 1%, but he wasn’t having it, and stuck fast to his definition: “North Berkeley starts north of University, and you’re north of University.”  It’s not that often that someone can reduce me to an inarticulate mashup of laughter, outrage, and flabbergastedness, but Lint certainly managed it that day.

Eventually he got his gun on a record cover.  No one was murdered as a result, at least as far as I know, and the record sold in the hundreds of thousands.  Whether or not that disproved my original point remains open to discussion, but I suspect most people would feel it did.  Just as almost everyone would agree I’d been famously wrong when I’d tried to talk Lint out of naming his new band Rancid.

“Do you even know what the word ‘rancid’ means?” I asked during a fervent contretemps out front of Gilman.  ”Foul, rotten, stinking, disgusting.  Is that what you want people to think of when they hear your band name?”

“Yo, Larry, that don’t matter, cuz we’ll give it a new meaning,” was his answer, and I guess he turned out to be right again.

The damndest thing is that I started out to write this article about crime in Berkeley – yes, even in North Berkeley – and how the old town isn’t what it used to be.  The Downfall reference was meant to be no more than a hook to hang it on, but somehow turned into the whole story, and now I’m out of space and time.  Which is probably for the best, because Bay Areans get mighty butthurt at the slightest suggestion that their little slice of Northern California is anything less than an enduring countercultural nirvana, and I really don’t have the energy to argue with them about it.

Besides, someone recently handed me a digital copy of the Downfall remix to replace the one I lost so many years ago, and I’ve been letting the music and the memories wash over me to the point where you know what?  I can’t, at least for now, get that fired up about the socio-cultural ramifications of Berkeley’s drug and idealism-addled admixture of benign tolerance and malign neglect (or maybe I’ve got that backward?).  But I will have to say that Downfall were a pretty decent band, and those were some interesting times to live through.

 

(It’s Not) Rocket Science

(It’s Not) Rocket Science

How do you run a successful indie record label in the year 2012? Ask as many scenesters, hipsters, music business “professionals” as you want; the answer you will hear most often, frequently punctuated by bitter laughter, is “You can’t.”

Ironically, I heard the same thing 25 years ago when – against all odds and defying common sense – I decided to start a record label.  Even more ironically, today’s naysayers will typically point to the 80s and 90s as some sort of golden age when anyone capable of walking and chewing gum at the same time could cobble together some shoestring operation that would quickly grow from selling 7″s out of your disheveled bedroom into a multi-million dollar monolith that could be flogged off to one of the major labels for an even bigger fortune as soon one of your “underground” artists broke through into mainstream success.

The fact that this actually did happen on occasion does nothing to diminish the reality that then, as now, most indie label owners never saw their pride and joy develop into more than an expensive hobby.  It was a rare (and usually naive) individual who went into the business expecting to make money.  If in 1987 you’d asked what sort of financial future I envisioned for Lookout Records, I would have said I was hoping, if things went very well indeed, not to lose too much money.  Breaking even or coming out slightly ahead was about as wild as my dreams dared to get.

Nowadays people get annoyed when I tell them that, especially since when doing so I’m usually trying to demonstrate that it can be dangerous and self-defeating to assume you know what is or isn’t possible.  “Yeah, it’s easy for you to talk,” I’m told.  “You happened to luck out by starting your label right when everybody was having to re-buy their entire music collection on CD and before digital downloads came along and all but destroyed the retail music business.”

That does, in retrospect, look extremely lucky, but more to the point, I think, is the fact that in 1987 I had no way of knowing any of this was going to happen.  I didn’t get involved in CDs until the beginning of the 90s (they weren’t “punk,” you know), and as for the digital revolution, well, when an early adopter tried to explain how this whole “internet” thing worked, I was left hopelessly befuddled.  “Okay,” I kept asking him, “you hook up two computers so they can talk to each other? But what’s the point? What would a computer have to talk about?”

Still think it was a lot easier to bumble one’s way to success back in those days?  You’re possibly right.  When I get interviewed, one of the inevitable questions is, “Do you ever think about starting another record label?”  My answer is always a resounding NO.  Not just because the last one nearly drove me off the deep end, but also because I too would be intimidated by the seemingly bleak outlook facing the music business today.

But does that mean it can’t or shouldn’t be attempted?  Quite the contrary.  If I were 30 or 40 years younger, there’s every chance I’d be launching some sort of indie music venture, and tackling it with every bit as much enthusiasm, idealism and naiveté as I did the last time around.  I can’t guarantee I’d be successful, but I’d give it a pretty good go.

“Aha!” you say. “You’re chickening out because you’re old and you’ve lost your passion.” Maybe that’s a little true, but it’s more a case of wanting to do other things now, like writing, and seeing the world.  Besides, and perhaps most importantly, there are others who’ve taken up the challenge, others who are every bit as idealistic and motivated, and probably a lot smarter than I was when I first got the idea I could somehow run a record label.  They’re doing all the things I would be trying to do if I were still in the business, signing the same bands, treating them openly and honestly, injecting a much-needed note of innovation and integrity into an industry that has seldom been noted for either.

I hesitate to start naming names, not because there aren’t many that deserve to be named, but because I would inevitably miss so many more.  That being said, I do want to give shout-outs to a couple of my favorite indie labels.  One is It’s Alive Records in Orange County.  Though the majority of their output comes in the form of vinyl records that I can’t even play because I don’t have a record player (I’m getting one soon, which will be nice, though I’m endlessly chagrined about having given away my 1970s Technics turntable a few years back on the assumption I wouldn’t be needing it anymore), they’re a source of endless inspiration, both for their honorable business practices and their sheer love of the same sort of music I myself love most.

Then there’s New Jersey’s Don Giovanni Records.  Full disclosure: Joe Steinhardt and Zach Gajewski, the guys who run it, are friends of mine, and I’d be inclined to support any enterprise of theirs, music-related or not.  But having watched their label grow for a few years now, I’m continually impressed by the way they’ve combined a well-run business with an artist-centered attitude, and in the process demonstrated that despite shifting formats, fragmenting markets, and wholesale disillusionment, it’s still possible, by following the same fundamental principles that have always underpinned a successful record label, to thrive and prosper.

One of the reasons Zach and Joe work so well with their artists is because they’re artists themselves: both have been in a variety of bands, perhaps none so notable as the much-loved but slightly star-crossed For Science.  Known originally as Skynet (a reference to some science fiction show or movie that everybody except me is familiar with, and which I could quickly look up if I didn’t want to maintain the illusion that I’m immune to popular culture), they dropped that name for fear of lawsuits, left science fiction behind, and went for straight-up science.

They were playing around New York quite a bit around the time I moved here, but I must admit I didn’t really “get” them.  Most of my friends were fans, some ravingly so, but every time I saw them it seemed as though one or more members would be drunk and/or otherwise impaired, and onstage chaos would ensue.  I remember once asking in all seriousness, “Why doesn’t somebody get those drunk guys off stage so the band can play?” not realizing that they were the band.

“Yeah, sometimes they’re a mess when they play live,” my friends would tell me, “but you have to hear their records.”  Which I never did, because, as you’ll remember, I didn’t have a record player.  Then one day a new lean, mean and sober version of For Science rolled into an afternoon show at the Cake Shop and I was not only amazed, but grudgingly had to admit, “Yeah, I guess maybe they’re not so bad after all.”  Shortly after that, the band imploded, thanks to a member’s LSD freakout (who does that in the 21st century?) and other murky circumstances that don’t need to be delved into here.

End of story, until quite recently, when a) I got a digital copy of two For Science albums; and b) it was rather abruptly announced that For Science were reuniting and would be playing the annual Don Giovanni showcase next weekend in Brooklyn (I say “rather abruptly” because I was somehow under the impression that certain members were never going to speak to each other again; once again, I was proved to be wrong, wrong, wrong). And the other news is that I’ve now listened to the digital albums a couple times and, whoa, my friends weren’t lying.  This band really is good.  Really, really good.  And though they’ll be sharing the stage with such luminaries as Screaming Females and Laura Stevenson and the Cans, chances are that For Science will end up stealing the show, either through the sheer exuberance of their fans welcoming them back to life, or because… well, who really knows what could happen?  It’s not the kind of band you’d want to make predictions about.

One prediction, however, that is a safe bet: you won’t want to miss this.  Last I heard, tickets weren’t sold out yet, but probably will be soon.

We Need A Gathering Instead

We Need A Gathering Instead

Classics Of Love at Barfly, London, 2009. Photo by Imelda Michalczyk

When Lookout Records, the label I co-founded and ran from 1987 to 1997, shut its doors a few weeks ago, I was besieged by journalists and bloggers, some earnestly inquiring into What Went Wrong or What It All Meant, others more interested in taking a gentle, nostalgic stroll down the boulevard of broken dreams.

Before my appearance on KQED, San Francisco’s NPR station, I was asked to put together a brief playlist of songs that epitomized the Lookout ethos and aesthetic.  They’d been planning on using Operation Ivy’s “Knowledge,” easily that band’s best-known song, thanks to the gently mocking yet affectionate cover version performed by Green Day at nearly every concert for the past 20 years.

I pointed out that not only would “Knowledge” bring down the wrath of the FCC, containing as it does one of the Seven Deadly Words radio stations are never allowed to broadcast, but that it wasn’t even Operation Ivy’s best song.  Or at least not the song that best summed up what that band was all about.

“The Crowd,” I suggested, would be a better choice, and that was in fact what they played.  I listened over the phone while waiting for the interviewer to turn his attention to me, anticipating the part where, following the first anthemic chorus, Jesse eases up ever so slightly to sing, with that subtle yet unmistakable catch in his voice, “Drink drink in the badlands…”

The whole song makes me want to jump up and down, grin maniacally, and throw myself around the room, but there’s something about that line, with its barely muted, infinitesimally constrained passion, that has never failed to send chills right through me.  David Hayes, my original partner in Lookout Records, put his finger on a similar phenomenon back in 1989 when we were listening to the rough mixes of the Op Ivy album.

There’s one song – “Bad Town” where Tim Armstrong sings lead.  It’s a great song, and totally stands on its own, but when it reaches the outro, there’s a 10-second – seriously, 10 seconds, no more – where Jesse adds a backing vocal that blasts the whole thing into the next dimension.

“Listen to what happens when Jesse comes in,” said David.  “It’s almost scary.”

It’s been almost 25 years since I first heard Jesse Michaels sing.  I’ve seen him with Operation Ivy, Big Rig, Common Rider, Classics Of Love, even doing birthday karaoke at El Cerrito’s Mel-O-Dee Inn, and I’ve never known a more naturally gifted performer.  His whisper-to-a-scream intensity can instantly electrify any piece of music it’s attached to.

When Operation Ivy broke up immediately upon releasing their first and only album, “Whatever happened to Jesse?” soon became the inevitable question in any discussion about the band.  It was widely known that Tim Armstrong and Matt Freeman kept their partnership going through the short-lived Downfall and Generator before winding up in the very long-lived Rancid, and slightly less known yet easily ascertainable that drummer Dave Mello aligned himself with the virtuoso jazz-punks of Schlong.

But Jesse? He was reported to have become a monk, to have moved to Nicaragua, to be writing a book, constructing a new supergroup, or in rehab, or… feel free to add your own stories, because that’s what it seemed everybody was doing, while almost nobody knew what if any of it was true.

Over time I’ve learned little bits and pieces of what really happened, while remaining as befuddled as anyone about some of the other legends of Jesse’s Lost Years (I say that semi-facetiously; the only people they were actually lost to were the fans, waiting impatiently for Jesse’s return).

When he did re-appear, you could say he eased rather than thrust himself back into the limelight with the solid but low-profile Big Rig.  Then, after a similarly long interval, came Common Rider.  They were well-loved, but despite a couple superficial similarities to Operation Ivy – mainly in the use of ska and reggae beats – they too seemed almost deliberately low key.

“Too much attention unavoidably destroyed us” was Operation Ivy’s epitaph as delivered by Tim Armstrong and Rancid.  Perhaps – I may well be reading too much into this, of course – that outcome prompted Jesse, in his new musical incarnation, to exercise the caution that he had once claimed not to understand.

More years passed – if there’s a single definitive thing you can say about Jesse, it’s that he’s not one for rushing into things – before slowly, gradually, a new band, Classics Of Love, emerged.  Thanks to his history, Jesse couldn’t avoid being the most visible member, but this time it felt more like a band than “Jesse Michaels and…”

To be honest, I wasn’t a huge fan when I first saw them three years ago in London.  The group – who had been performing on their own as Hard Girls before joining forces with Jesse – were undeniably and impressively solid, but Jesse was still nervously feeling his way into this new role, and a full-fledged musical bond had yet to be formed.  The highlight that night was a cover of  – what else? – Operation Ivy’s “The Crowd.”

But what a difference a little time makes: Classics Of Love are back with their debut full-length album, released February 14 on California’s Asian Man Records, and it’s a dazzling tour de force that marries intense melodic hardcore with Jesse’s signature vocals more successfully than anything I’ve heard since the heyday of Operation Ivy.

Not wishing to mislead anyone, let me hasten to point out that Classics Of Love do not resemble Operation Ivy in any obvious way (apart from being awesome).  The one similarity I can see, though, is the way Jesse’s voice has regained its full-throated and uninhibited power, and is driven and underpinned by a band that matches him note for note and beat for beat, a band that plays not behind but as one with him.

I don’t write a lot of record reviews these days, and haven’t had much interest in doing so.  This one’s worth making an exception for.  Like many of us, Jesse has spent his share of years in the wilderness.  It only makes it all the more special to welcome him home.

 

Studs Lonigan: Looking Back Into My Future

Studs Lonigan: Looking Back Into My Future

In the course of a search for Patrick Hamilton’s The Gorse Trilogy, I wandered into bookshops new and old across several miles of San Francisco, uncovering little more than blank stares and frustration.  I was all the more exasperated because I had already acquired, thanks to Aaron Cometbus, the middle volume of the trilogy, had read halfway through it with a gusto and élan few things in life remain capable of eliciting in me, only to set it down at San Francisco Airport coffee counter and walk off without it.

My quest took me on a meandering route from North Beach to the Mission.  It was an unnaturally warm and sunny day not long before Christmas, but by the time I passed the once-hellish, now pleasantly re-imagined Valencia Gardens project, the sun had slipped behind Twin Peaks and a wintry chill intruded into what had been a benign breeze.

It was time to duck into La Cumbre for a warming burrito, but as I crossed 16th Street, I noticed a sign that read “Used Books.”  Not just a sign, I reasoned; it had to be a sign.  A bookstore suddenly appears on a block I’ve walked down a thousand times over the past several decades?  Advertising that it specializes in “hard-to-find” and “out-of-print” volumes?  What could this mean but that my hunt was about to have a happy ending?

I walked in and instead of heading straight for the shelves, asked the proprietor how long the shop had been there.

“22 years.  People are always saying they never noticed us before.”

All those walks from the 16th Street BART to La Cumbre, the hours spent staring out the front window of Pancho Villa, long-ago trips to Epicenter and Blacklist Mail Order, and Forest Books had managed to remain invisible to me for over two decades?  I wondered if I was dealing with some ephemeral presence along the lines of Harry Potter’s Diagon Alley.

Which made it all the more plausible that they would have the book I’d been searching for, but no, as it happened; he’d heard of Patrick Hamilton, sort of, but wasn’t really familiar with his work.  Resigning myself to finding the Hamilton book next time I was in England, I decided to take a quick spin through the aisles to see if they had anything else of interest.  I hadn’t made it ten steps before spotting a hardbound copy of James T. Farrell’s Studs Lonigan trilogy, and decided instantly that I had to have it.  I bounded up to the counter, almost as if I were afraid someone or something might snatch it away from me before I could pay for it.

The proprietor gave me an odd glance, followed by, “Whoa, how do you even know about this book?  You’re not old enough.”

Perhaps he flatters all his customers that way – I guessed he and I were about the same age – but as it happened, I not only knew the book, but had read it as a young teenager, some 50 years ago.  My first copy of Studs Lonigan had been a paperback, sold for 35 cents – now that I think about it, I almost certainly stole it; that’s how I rolled in those days – on one of those revolving racks you saw in every drugstore.

I’d never heard of the book before, but the cover showed a kid about my age, dressed up like a tough guy, his hair slicked up and back, hanging out on a street corner in a manner clearly meant to annoy the bourgeoisie.  I tore through those pages with a fervor others reserved for religious texts.  The author might have intended it as a cautionary tale for aspiring hoodlums, but I read it as a design and ideal for living.

It was a long book, the longest I’d ever read at that age, and for the first couple hundred pages, the life of young Lonigan was filled with exactly the sort of mischief and thrills I was looking to add to my own.  Opening on a warm evening in 1916 as Studs (“that dreadful name,” according to his mother, one of the few who insisted on calling him William or Bill) is graduating from eighth grade, it follows him through a dreamlike summer of roistering and rollicking with his gang on the streets of Chicago’s South Side.  I began reading it in 1961 as my eighth grade graduation gave way to a very similar summer on the streets of Downriver Detroit.

Studs and I were Catholic boys graduating from Catholic schools, retaining a visceral loyalty to the Church while ignoring or flouting nearly all its precepts.  Our gangs were made up of the children or grandchildren of immigrants, predominantly Irish, riven straight through by the Catholic obsession with guilt, suffering and doom.  We sinned repeatedly, felt terrible about it, and took it as given that we would pay harshly for our transgressions in the end.  An end, we assumed, which would probably not be long in coming.

Half a century later, re-reading Studs Lonigan as avidly as I had the first time, I was surprised – not just surprised, shocked – to see how closely his exploits and misadventures had mirrored and prefigured my own.  The initial intoxication of running wild in the streets gave way to the boredom and monotony of day after day and night after night in front of the pool hall or drugstore.  We groused that there was nothing to do but bragged that at least we weren’t like the punks and cake-eaters who scurried home after dark and tried to live up to the expectations of nuns and parents.

Some of the guys dropped out – waylaid by after-school jobs or girlfriends –to be replaced by more serious criminals and nutcases.  By the time I was 15 I was carrying a pistol and had earned the nickname “Drunk.”  Considering the drinking habits of the gang that gave it to me, I took it as one of my proudest accomplishments.

At 17 I’d graduated from the drugstore to a pool hall identical to the one Studs frequented toward the end of World War I, right down to the perennial poker game sequestered in the back room and the shady characters lurking around out front trying to sell boosted auto parts at pennies on the dollar.  I’d begun to pride myself at climbing – in retrospect, of course, it was more like descending – the criminal ladder faster than Studs had, but then I wasn’t as burdened by conscience as he’d been.

It might have taken me a year or two to finish the Studs Lonigan trilogy the first time, because after a whiz-bang beginning, Studs’ life began deteriorating so badly that it was painful to read about.  Not just because I’d come to care about him, but because I’d made his existence such a template for my own.

The fights, the hangovers, the arrests, the tentative attempts at love and the blithe, inevitable rejections; eventually it became difficult to tell where his life left off and mine began.  Re-reading it in 2012, I’m struck not only by how clearly I remember nearly every scene and bit of dialogue – I’m normally the kind of guy who can’t tell you what a movie or a book was about 20 minutes after I’ve finished it – but also how I could no longer be certain which of my memories came from my own life and which from his.

Long before I’d heard of Oscar Wilde, I was a dutiful subscriber to Miss Prism’s dictum, “The good ended happily, and the bad unhappily.  That is what fiction means.”  So I wasn’t surprised when Studs ended unhappily, even though, in the final analysis, he wasn’t that bad at all, just foolish, stubborn, and proud.

All qualities I possessed in spades.  And by most standards, I was worse than Studs, with fewer redeeming qualities.  Yet for some reason, I haven’t ended unhappily – at least not yet – despite having spent the greater part of my life anticipating such an outcome.  As Studs himself might have observed, “Geez, it just ain’t fair how things work out sometimes.”

Winter 2012

Winter 2012

It’s been months, has it?  Well, I guess it has, and while I feel guilty for having let this splendid forum remain blank all this time (and for months before that using it for little more than posting installments of Spy Rock Memories), I have actually been fairly busy.

In fact, when I complained to a good friend who often acts as an unpaid adviser that I was feeling overwhelmed with all the responsibilities and challenges – not to mention deadlines – staring me in the face, he said, “Hang on a minute, isn’t all of this stuff exactly what you’ve been saying you wanted to do for the past several years?”

Which, of course, was completely true, so that was enough to stop me complaining, at least to other people (I can still occasionally be heard muttering to myself, but then I’ve been doing that for years, regardless of whether things were awesome or abysmal).

However, as of late it almost feels like everything is coming up Livermore (with a couple exceptions that are too inconsequential and/or hopeless to bother mentioning here). First off, though I believe I’ve mentioned it here before, it’s now official: Spy Rock Memories is coming out as a book, in both printed and digital form.  The precise publication date hasn’t been set yet, but it looks to be sometime this spring, and once the book is out, I expect to be setting out for several months of traveling to various bookshops and cultural centers around this great land to promote it.  No definite schedules yet, but I especially look forward to visiting as many towns as possible around the Emerald Triangle and in Northern California.  Anyone who has suggestions for bookstores or other worthwhile venues is welcome to get in touch.

Almost simultaneously, the songs of my old band, the Lookouts, almost all of which have been out of print for 20 years or more, are being reissued, on a double LP as well as digitally.  One of the records will be the original Spy Rock Road, which we released in 1989, and the other will contain our 7″ and compilation tracks, which adds up to another 13 songs.  Tentative title for the package is Spy Rock Road and Other Stories.  We’ve been urged to re-unite for a show or two to help properly launch the record, but as usual, our drummer finds himself very busy with his new band (the one he joined in 1990), so the likelihood of that happening any time soon remains in doubt.

Cover to the original Spy Rock Road album; the re-release will contain a second record and 13 additional songs.

Right about the time the decision was reached to bring the written and musical versions of Spy Rock to the world at large, I received a call from Billie Joe Armstrong, who asked if I’d be interested in putting together a compilation of my favorite punk rock and pop-punk bands for his Adeline Records label, and though my initial reaction was, “Oh no, how am I supposed to find time to do that, too?” it was too exciting an offer to refuse, so I said yes, and it turned out – thanks to modern technology, much of which didn’t exist when I was last putting out records – that within a couple months I had not only rounded up 16 outstanding bands, but also got them into the studio, and bingo, just like that, we have a compilation: The Thing That Ate Larry Livermore.  Old-timers among you will of course recognize the allusion to the 1988 Lookout Records classic compilation, The Thing That Ate Floyd.

Patrick Hynes artwork for the new compilation.

Hoping to remain true to that spirit, I recruited my old Lookout Records (and Potatomen bandmate) Patrick Hynes to do the cover artwork, and while it’s true we recycled the concept from an old issue of Lookout magazine, I think it came out fantastic, and am looking forward any day now to see the back cover, which is likely to be equally amazing.  Release date is also sometime this spring; in fact we’re shooting for early April right now.  I’ve posted the names of the bands elsewhere, but what the heck, I might as well do it again: Dear Landlord, Mixtapes, Lipstick Homicide, Dopamines, House Boat, Vacation, The Max Levine Ensemble, Emily’s Army, Mean Jeans, The Hextalls, Weekend Dads, City Mouse, Be My Doppelganger, Night Birds, The Copyrights, The Visitors.  Quite a list, wouldn’t you agree?  Unless, of course, you don’t follow this particular style of music, in which case you’re probably reading off the names with a glassy-eyed stare as you wonder what if anything it all means.

Had a bad dream this morning just before I woke up – well, maybe not a *bad* dream, but definitely a disturbing one.  For some reason I was driving through Mexico and while attempting to back out of a parking lot, inadvertently knocked another car over the edge of a small cliff.  Yeah, surprised me, too, because I barely touched it.  But instead of stopping to deal with the situation, I panicked and took off, and the rest of the dream consisted of a series of buses and bus stations (don’t know what happened to my car) where whichever way I traveled, it was the wrong way, and the authorities were inexorably closing in on me to lock me away in a Mexican jail cell for the rest of my natural, etc.  Thankfully I woke up before things got any worse, but it was still troubling.  I don’t often have dreams like that anymore, although when I was young I had them all the time.  Hopefully this means I have mended my ways since then, or at least have less of a guilty conscience.  And just in case you’re wondering, no, I haven’t, as far as I can remember, committed any crimes in Mexico in recent memory, and I think we could safely extend “recent memory” to include “ever.”

That digression aside, one of the worst aspects of not keeping up with the blog these last few months is my having neglected innumerable opportunities to comment on what has taken shape as the most ludicrous and pathetic political campaign in my memory, and is only likely to get worse.  When I was a kid I was inordinately fascinated by the Roman Empire, what went wrong with it, and what we could learn from its demise to prevent America from stumbling down a similar path.  If you read Gibbon – which I did, albeit only partially – one thing that strikes you is that in Rome’s latter days it was afflicted with a succession of ever more corrupt, weak-minded and idiotic emperors.  There were other parallels to our present-day situation – squandering the imperial treasury on futile and pointless colonial wars, the wholesale abdication of responsibility on the part of both the ruling class and the general citizenry, the substitution of cults and mysticism for reason and discipline – but given the clown show of candidates the Republicans have managed to come up with, and given that it’s far from unthinkable that one of them will become president, precipitously declining standards in public life just might be our biggest single threat at this point.

I recognize that many people – myself included – are disappointed in Obama, feel that he has been too sympathetic toward the corporate class and too willing to compromise with the lunatic fringe of the Republican Party (is it fair, though, to call it a fringe anymore, now that there’s little left to the Republican Party but a lunatic fringe?), but even seen in the worst possible light, Obama remains a rational, intelligent person who adheres to at least some basic principles (we don’t have to agree with those principles to recognize that they are in fact principles).  So it bewilders me when many of my friends and fellow left-of-center types are ready not only to abandon Obama, but to work actively against him.  As I said, I understand and share your disappointment, but I can’t conceive of a single scenario under which our lot would be improved by replacing him with someone almost infinitely worse.  It was a similar logic that gave us George Bush in 2000: because Al Gore was insufficiently progressive for many of us, we instead allowed one of the most disastrous presidents in history to be installed, and I believe the jury is still out on whether the country will ever recover from the damage Bush and his cronies did to it.

You’d think the fact that every single Republican candidate this year is more extreme than Bush – not to mention, in the case of most of them, more intellectually and morally deficient – would give people pause before they take any action to increase the chances of one of them getting into office, but you would in fact be wrong.  There are those, of course – I know, because at times in the past I’ve been one of them – who cling to the belief that things need to get worse in order to prompt the full-fledged revolution that we need, but this thinking ignores both history – most revolutions take place when things are already beginning to get better, not when they are plummeting toward their worst – and common sense. The USA is not – the admirable efforts of Occupy Wall Street notwithstanding – in a pre-revolutionary situation.  It is more likely to be in danger of imminent collapse.

Perhaps I’m getting a bit carried away?  I spent most of my younger years in fear of an apocalypse that never arrived, and it’s perhaps a bitter irony that just when I had reached a state of tenuous accommodation – i.e., accepted the supposedly more “grown-up” notion that most of the time things were neither as awful nor as outstanding as they appeared – that the actual end times might be arriving.

Not everywhere, of course: many parts of the world, including some that I’ve visited this past year, seem to be doing just fine, and doing so by following policies that are precisely the opposite of those being advocated by Republican extremists and too easily acceded to by Democratic moderates.  But enough of that: we’ll survive – or not – and life will go on – or not – and hopefully you’ll all be sufficiently untouched by the impending havoc that you can still afford to buy my upcoming book and records.  Personally I’m debating whether to stop paying attention to politics altogether.  It’s childish and irresponsible, I know, but I get so wound up and agitated whenever I watch these people lying on a prodigious scale and/or giving vent to paranoid flights of fantasy.  The chances that my opinions, no matter how vociferously expressed, will have any impact on the political climate or its outcome are slim, and I’ve also got a couple more books to write (subject matter to be revealed in the upcoming months) before I get too terribly much older.

On the mostly plus side: it’s the middle of winter and we’ve had a spate of shirtsleeve and light jacket weather more appropriate to March or even April than January.  I only put it on the “mostly” plus side because it makes it very hard to stay indoors and do the massive amounts of work I seem to have signed up for.  Happy New Year, everybody, and let’s hope it’s not nearly as long before we meet again!

 

 

Spy Rock Memories, Part 11

Spy Rock Memories, Part 11

Udo died in the autumn of 1991.  He’d been driving alone late at night, so no one ever knew exactly why or how his car wound up at the bottom of a ravine.  The best, most likely guess was that he’d swerved to avoid a deer and lost control.  We buried him in Little Lake Cemetery, at the south end of Willits.  Afterward we gathered at Tre’s parents’ house.

It was a gathering of old mountain friends such as I hadn’t seen since the uproarious, carefree parties of the early 80s, but with, of course, a far more somber purpose.  It was hard to avoid noticing a certain awful symmetry: eight and a half years earlier, we’d gathered at the same cemetery to bury Kira, Udo and Josie’s daughter.

She’d been an angelic child.  I can’t remember a single negative thing ever being said about her.  The world felt like a brighter place when she was around, and there was the slightest hint of a frown on your face or a gloomy air overhanging your mood, she’d immediately set about trying to find some way to send it packing.

The last time I saw Kira, she and Tre’s cousin, Bex, had emerged on horseback from the woods in front of our house.  They stopped to chat for a few minutes, I snapped a blurry photo of them, and they rode on.  Shortly afterward, she collapsed and died of an aneurysm in her classroom at Willits High.  She was 16.

It was spring when we buried her, but a harsh, chilly breeze tossed clouds across a dismal, tattered sky.  As they lowered her coffin, Udo all but flung himself into the grave, his coat flapping in the wind as he cried, “My baby, my darling baby.”  It was a stunning, shocking moment, made all the more memorable because Udo, a strong, stoic man, was almost never given to overt displays of emotion.

When I first came to Iron Peak, you might recall, it was in search of something more “real” than the hothouse existence of city life.  “A man could die up here if he wasn’t careful,” I’d thought.  The idea that death was a more constant and palpable presence in the mountains was probably not accurate – no doubt people die with similar frequency and drama wherever you are – but it felt that way.  I suppose the difference is that in the city, you seldom know more than a handful of your nearest neighbors, whereas in the country you’re usually aware of, if not directly affected by, every death that happens for miles around.

And though Kira’s and Udo’s deaths hit closest to home, there were others.  Many others.  Michael Ferretta dropped dead of a heart attack, Judi Bari passed away from cancer.  Teepee Doug, spokesperson for the ragtag band of hippies who’d tried to frighten me out of the publishing business, spun out on the curve where 101 shifts from a Sonoma County freeway to a Mendocino mountain highway.  Lester, one of my nearest neighbors, and Craig, his brother, both had their hearts give out while still in their 40s.

Not to mention the slow but steady stream of accidents and murders that, while they happened to strangers or people known only by name or reputation, cast a pall over their surroundings.  There was the case, for example, of the woman whose mangled remains were discovered in a streambed near Registered Guest Road, about a mile beyond the Iron Peak turnoff.

It was clear to investigators that a bear had eaten her; what remained a mystery was whether the bear had killed her, or if it had merely happened upon her body after she had died from another cause.  People were inclined – or preferred – to think the latter; the number of bears roaming the woods had increased noticeably since the late 80s, and it was unsettling to think any of them might be deliberately gunning for humans.

 

Udo (holding baby) with his family, during happier times.

Udo’s funeral was the first time I’d seen Tre in a while; he’d been spending most of his time on tour with Green Day, who were now attracting attention from far beyond the punk rock scene.  Tre’s dad, Frank, was talking about refurbishing an old bookmobile and using it to drive the band around, which he would eventually do, right on through their major label breakthrough in 1994.

Even by late 1991, the band was the biggest thing Mendocino County had ever contributed to musically, and there was much talk about what their next step should be.  Frank maintained, as he’d been doing ever since Tre joined the Lookouts, that they needed to get “on a big label.”  As usual he cited Warner Brothers as an example.

His high opinion of Warner Brothers possibly stemmed from the fact that it was home to his beloved ZZ Topp, who, he never failed to make clear, represented his ideal of what a rock and roll band should be.  But he was far from the only one suggesting that Green Day move on to a “real” label, a concept that never failed to irritate me, since as far as I was concerned, Lookout was not only real, but also doing a pretty good job of representing Green Day.

Their records were selling in the tens of thousands and, as I always had to point out, they were getting paid, at a higher rate than they were likely to receive from any major label, for every single one.  Between record sales and touring, Green Day had become practically self-sufficient, something that in those days was almost unheard of for a homegrown punk rock band.

A couple months later, their second album sold out its entire first pressing of 10,000 copies the day it was released, and we – by underground standards, anyway – had a hit on our hands.  Combined with the similar success of Operation Ivy and the first Green Day album, it meant that Lookout Records was now generating more income than I had ever earned – legally, anyway – in my life.

Hardly something to complain about, you’d think, but immersed as I was in trying to finish my senior thesis so I could graduate from Berkeley, it was like finding myself astride the proverbial tiger.  Not that I was in any hurry to dismount; releasing punk rock records was proving to be more fun than I was likely to have trying to control classrooms of unruly high school students, and the pay was decidedly better.

But becoming a substitute teacher had been part and parcel of my plan for returning to Spy Rock.  As it became more and more obvious that I neither wanted to nor could afford to abandon my responsibilities as a newly minted record mogul, the Spy Rock dream slipped further from reality.

First months, then years, slipped by without progress toward returning to the mountain.  It would have been no problem – especially once Green Day’s meteoric rise to international celebrity in 1994 sent our grosses from the hundreds of thousands into the millions – to refit and rewire the Spy Rock house to serve as a fully equipped office, but instead I found myself preferring to leave it as a telephone and internet-free escape hatch for when the pressures of business grew too overwhelming.

My increasingly infrequent visits seldom lasted more than a couple days, much of which was spent driving there and back.  But there came a time, one mid-September, when a relationship gone sour combined with the ever-mounting demands of keeping the company on an even keel left me on the verge of a mental meltdown.  It was agreed – my employees being particularly vocal on the subject – that I needed to take some time off.

The garden falls into disuse and disrepair. Kong is not impressed.

I spent a few days at Spy Rock, doing little more than sleeping, playing with the animals, and ruefully taking inventory of the repairs and maintenance I’d been neglecting for so long.  Then I set out on a rambling journey that took me through the bleak wilds of Northeastern California, on into Oregon, Idaho, Montana, Alberta and British Columbia.  The scenery, the weather, everything was heartbreakingly exquisite and beautiful until I reached Vancouver, normally one of my favorite cities. There a bank of clouds lurched in from the sea, bearing the first of the chilly autumn rains.

It was time to go home, and I drove the 835 miles back to Spy Rock almost nonstop.  As usual Kong greeted me at the top of the driveway, but Ruf-Ruf was nowhere to be seen.  I drove down to the house and spotted her sleeping under the wind chime and crystal-laden Ponderosa Pine that had grown up from infancy to hold pride of place in what could be loosely be termed the front “yard.”

She was not as young as she used to be, and had been noticeably slowing down from her frenetic pace of running and barking pace over the past couple years.  But never before had she slept through my arrival.  I got out of the car and headed over to where she lay; I was not even halfway there before I realized she was not sleeping.

I loved both the dogs, but Ruf-Ruf had always been the special one.  She knew it, too, and had always made sure Kong never forgot it, nipping and yelping at him whenever he got in her way, even though she was barely half his size.  Living in the mountains had long ago made me aware of nature’s darker side, but even so, I wasn’t prepared for Kong’s reaction to the death of his longtime companion and tormenter.

I buried Ruf-Ruf not far from where I’d found her, but within hours, he had dug up her corpse and set about systematically demolishing (and possibly, though I didn’t personally witness this, devouring it).  I dug a deeper grave, covered it with stones, yet somehow by morning he’d managed to retrieve what was left of her.  The cats and I watched from the front porch as he snarlingly ripped great tufts of blond fur from her tattered hide.  He’d been holding back these feelings for a long time, apparently.

Ruf-Ruf’s death left a large void, and the Spy Rock chemistry had irretrievably changed.  Though Kong kept close to me when I was around, and begged openly for the attention Ruf-Ruf had always had first dibs on, he lacked the exuberance that she had brought to the simplest stroll across the land.  The cats, who had always led separate and aloof existences, often disappeared for days or even weeks to prowl the forests or… who knew, really where they went or what they got up to?

I often gave them up for lost and presumed eaten.  The giant owl that roosted in the oak at the top of the driveway and sometimes spooked me by bursting, like Hegel’s owl of Minerva, into its twilight flight so close above me that I could feel the wind from its beating wings, was just one of many woodland creatures that could have made short work of them.

But again and again they’d surprise me by turning up bedraggled and mewling under my window on some random dawn, missing bits of fur, bearing mysterious bite marks, yet eager to return to the comforts of home and a regularly filled food tray.  They’d hang around for a few days or a week, as purring and playful as you’d expect any pet to be, then just like that they’d be gone again, into the wild.

Ruf-Ruf had been the anchor that kept the animal family together, even during my long absences.  Once she was gone, the cats, who as kittens had often spent cold nights cuddled with her in the doghouse, put in fewer and fewer appearances.  Often during my visits now, I wouldn’t see anyone but Kong.

And they were just visits, that was the saddest thing.  When, back in 1985, Indiana Slim had described me as a salmon swimming upstream, he could have been looking into the future, describing my attempts to find my way back up the mountain to a home that, despite appearances to the contrary, was no longer there.

 

Sadly, I do not have a photo of the actual bear that was the author of so much misery for me. However, this is more or less what he looked like.

1996 marked what was to be my last serious stab at becoming a mountain man again.  Lookout had moved into a suite of offices and accumulated a staff of 14 employees, so it was no longer unthinkable for me to let things run on their own for a while as I attempted to re-establish myself on Iron Peak.  I made several attempts, and usually they would run something like this: I’d arrive just before dark, examine the premises, and make a list of everything that had to be repaired or replaced.

The following morning I’d drive to Laytonville or Willits and buy the necessary materials, but by the time I got back from town I’d be too tired to do anything more that day.  Or the next day, or the day after that, it typically turned out.  Work had left me so exhausted that I would mostly doze on the sofa and reflect on the unexpected course my life had taken until it was time to go back to Berkeley.

One chilly, intermittently rainy spring day, I was lying there in my usual position, eyes occasionally opening wide enough to appreciate the lush array of greenery that, at this time of year, looked intent on overrunning the entire mountainside, when a large black dog went strolling by.  It was unusual, but not unheard of, for a neighbor’s dog to come sniffing around in search of food or a new mate.

You didn’t want them making a habit of it, though; otherwise you could wind up feeding someone else’s dogs as well as your own.  So I stepped outside to shoo the uninvited guest away.  I had no idea who it might belong to; Kong was the only black dog I knew of in the immediate vicinity, but this one was at least twice his size.  I was only a few feet away from him before I realized it was in fact a bear, still young enough to be slightly cute, but already way too big to be cuddly.

“Go on, get out of here!” I told it, calmly but firmly.  “Shoo!  No bears here!  Only people, dogs and cats!”

He looked at me quizzically, almost as though I’d hurt his feelings, but gave a slight shrug and padded away into the forest.  A couple days later he was back, and this time didn’t seem in as much of a hurry when I told him to leave, so I banged on a pot with a large serving spoon to emphasize my point.

That was the beginning of what would become a more than year-long contest of wills.  Captain Ahab may have had his white whale, but I had my black bear, and in both cases, the animals appeared to be winning.

If I was at home when he showed up, I could chase him away, but each time it became harder.  He’d figured out that my yelling and noisemaking had no power to harm him, and also seemed to understand that sooner or later I’d have to go back to the city.  As soon as I did, he’d move right in and make himself at home.

He found the spot under the house where I left food for Kong and the cats, and after scarfing down a week’s supply in a single sitting, would settle down for a nap, leaving my animals hungry and out in the cold.  As he grew bigger and stronger, he saw no reason to wait for me to come back and refill the food trays; tearing the padlocked door off the shed, he devoured everything inside, including 100 pounds of dog food and three bags of fertilizer.

The next time I came home, I found his claw marks on my front door, near the doorknob, in fact, almost as if he’d been trying to figure out how to open it.  He hadn’t made it inside this time, but his intentions were clear.  He’d lost nearly all fear of me.  Shouting, pot-banging, rock-throwing, none of it worked anymore.  He’d look calmly back at me as if I were a mildly annoying idiot.

If you were a bear, would you be keen to go up against a mountain man looking this steely-eyed and determined?

The only thing capable of chasing him off now was a blast or two with the shotgun.  Not at him, merely in the air, but I wondered if more drastic measures might soon become necessary.

They did.  I walked into the house one afternoon to find my back window shattered and my kitchen in ruins.  Apparently he’d been poking around on the back deck, stood up on his hind legs to look in the window, and fallen through it – either accidentally or accidentally on purpose – into the house.  Once inside, he’d smashed open everything that looked remotely like food, leaving a trail of broken glass and molasses in his wake as he headed over to the living room sofa for a nap.

People accuse me of making this part up, but the evidence was clear: there was a deep depression in the cushions where he’d been lying, and the blanket was covered with burrs and bits of fur.  Eventually, he’d made his exit by pushing out a window screen on the side porch, leaving a couple claw marks in it as his calling card.

It took me the rest of the day to clean up the mess.  Because he’d shattered not just the glass in the kitchen window, but the entire frame, the only repair I could manage was to cover it with polyethylene sheeting – hippie glass, as it was sometimes known.  I slept uneasily, never doubting that he’d be back.  It was only a matter of when.

Until then I’d never seriously considered shooting him, partly because I was a supposedly non-violent vegetarian, partly because I was terrified by the prospect of shooting anything that big.  What if I only succeeded in wounding him enough to make him really mad?  And even if I did manage to kill him, what would I do with a several hundred-pound bear corpse?  I couldn’t very well just leave it in my front yard to rot.  Not to mention, though I suppose this shouldn’t have been my first concern, that shooting bears without a license and out of season was highly illegal.

But what choice did I have?  Either the bear had to go or I did.  Worried that I’d arrive home one day to find him in the house again, I began taking the shotgun with me whenever I left the mountain.

It had been years since I’d been stopped by the police, let alone been given a ticket, but one of the first times I drove to the city with the shotgun in my trunk, the CHP officer everybody up and down Highway 101 knew simply as “Clarence” pulled me over, claimed he smelled marijuana, and asked for permission to search my car.  It was his standard operating procedure; he’d singlehandedly busted hundreds of traffickers using that ruse.

In this case, however, I knew he was straight-up lying.  I was driving a brand new car that had never contained or even been near marijuana.  What’s more, I hadn’t personally touched the stuff since 1993, when a couple tokes had triggered a terrifying panic attack.  I grew righteously indignant, and told him so.

“Well,” he allowed, “I can’t search your car without permission, it’s true.  But if you’d rather do it the hard way, we can sit here for a few hours until a canine team can get here from Ukiah and give the car a going-over.  They’re very thorough.  You never know what they might find.”

Was he threatening me?  For all the hippie paranoia floating around those parts, I’d never heard a convincing story about the cops planting evidence in someone’s car.  At the same time, there was no doubt they could get away with it if they were so inclined.  The cops’ word against that of a guy driving down to the city from Spy Rock?  Based on what I knew about Spy Rock, even I’d be inclined to believe the cops.

Regardless of whether or not I could trust the police not to frame me, I didn’t feel like waiting for him to bring in the dogs.  I had things to do and places to be in the city.  So, much as it galled me, I told Officer Clarence he could have a look in my trunk.

Thankfully the shotgun wasn’t loaded, or I could have been in real trouble.  As it was, he gave me a stern lecture about the legal way to transport weapons, how the gun had to be kept in a separate part of the vehicle from the ammo, and how I was lucky I hadn’t wound up handcuffed and spreadeagled face-down on the pavement.

Which wasn’t far from what happened a couple weeks later.  This time I was driving the old Subaru station wagon, so it wasn’t physically possible to keep shotgun and ammo separated.  I compensated as best as I could by stashing the gun at the back of the car and the ammo in the glove compartment.  I’d have to have really long arms to put those two together, right?

I won’t claim to be one of those people who never broke traffic laws, but I usually did so judiciously enough that I was unlikely to get caught.  There was nothing judicious, however, about my driving that night.  I was riled up about something at work, and anxious to get back to the office to set it right.  Near the Marin-Sonoma line I encountered a car that insisted on poking along at 45 mph in the fast lane.

I blinked my lights, honked my horn, tried tailgating him, but he wouldn’t move over to let me pass.  I tried passing him on the right and he sped up so I couldn’t get around him; then as soon as I got stuck behind traffic in the right lane, he’d slow back down to 45.  Whatever his reasons might have been, he was determined that I was not getting to San Francisco before he did.

My increasing frantic and furious attempts to get around him – I wouldn’t be surprised if I was almost literally frothing at the mouth by this time – attracted the attention of a patrol car.  “Why are you pulling me over?” I demanded.  “That guy in front of me is crazy!  You should go after him and get him off the road before he causes an accident!”

“With all due respect, sir,” the officer said, “you looked like the crazy one.”  Had I been in a slightly less agitated state, I might have seen his point, but as it was, I was practically beside myself at the thought that the driver who had been causing me so much misery was going to get away with it while I, a perfectly sane and responsible citizen, was stuck here on the side of the road being unjustly harassed.

When a police officer asks if you have any weapons in the vehicle, you ideally want to be able to tell him calmly, coolly, and truthfully that no, in fact you do not.  Unfortunately, in my case, none of this was possible.  My years as a greaser and a hippie had given me plenty of experience with being shoved up against the car to be searched and handcuffed, but this being the first time it had happened since the early 1970s, I was a bit out of practice.

Once I’d calmed down, the cop turned out not to be such a bad guy.  He took off the cuffs and let me – well, more precisely, ordered me to – sit on the hood of his car while he searched mine.  The spot he pointed out for me left me silhouetted by one of his headlights, and he cordially advised me, “Just so you know, I’ll be able to tell if you budge from that position, and if you do, I’d be fully justified in opening fire.”

Clearly this bear business was doing my nerves no favors, and needed to be brought to a conclusion.  With a full moon coming up that weekend, I decided to lay a trap for him.  I filled an old cooking pot – already sporting a couple bullet holes after a previous encounter with a pesky raccoon – with dog food and set it out in front of the house in plain view of my upstairs bedroom window.

The shotgun, loaded with one-ounce lead slugs, reputedly capable of blasting a several-inches-wide hole in almost anything they hit, lay beside my bed.  I’d slept that way ever since the bear’s first home invasion, but tonight I had no intention of sleeping.  Based on his past behavior, I anticipated he’d turn up between midnight and 1 a.m.

I lay on my back waiting; in my adrenaline-charged state of combat readiness, I assumed there was no danger of drifting off, but somehow I did.  Suddenly I was standing on the shore of a semi-circular bay, at the center of which lay an island that looked like a cross between San Francisco and Normandy’s Mont St. Michel.

Water lapped at my feet; fish, dolphins and eels splashed and leapt about.  Then came a great sucking sound, as if someone had removed the plug from a bathtub.  The water rushed away as it might in advance of a tsunami, leaving behind a vast expanse of sand covered with plastic inflatable sea creatures in pretty pastel colors.  The one I remember most vividly was a dead ringer for an old-fashioned cream-and-green Checker cab.

Before I had time to make sense of this spectacle, the water came roaring back, threatening to inundate me.  But before it reached the shore, I sat up straight, heart pounding, nerves pumping a double blast of electricity to my fingertips.  I knew without having to look that the bear was here.

Sliding across the bed, shotgun in hand, I peered out the window, and there he was, halfway through the pot of dog food.  Leaning back on his haunches, he looked so harmless and playful that I felt a twinge of guilt for tricking him this way.  I had to force myself to recall the havoc he’d been wreaking on my life.

Although the gun held eight rounds, I knew it was the first shot that would count.  If I didn’t bring him down with that one, there was no telling what might happen.  But at this range – no more than 20 feet – how could I miss?

During my years on the mountain I’d had to shoot skunks, raccoons, rattlesnakes, and – don’t ask – a few obstreperous blue jays, but I’d never imagined coming up against anything so much bigger and stronger than me.  What did I think I was doing?  Couldn’t I just give up, retreat to Berkeley, and let the bear have its way?

 

Ruf-Ruf and Kong when they and the world were still young.

That’s what my city friends had been telling me to do.  They were horrified when I mentioned the possibility of shooting it. “He’s just doing what bears do, they protested.  “It’s his home.  You’re the one that’s trespassing.”

That line of reasoning irritated the hell out of me.  “I was living on that land for years before that bear was even born,” I’d argue.  “And his ‘home’ is a hole in the ground out in the woods.  I don’t go poking around in his den, and he can return the favor by staying out of mine.”

City people typically envisioned my land as some sort of Jellystone Park, with me as the villain trying to stymie the jolly, fun-loving, picnic basket-stealing bear.  “If you really don’t want to share your land with him, at least call the rangers and have them move him somewhere farther out in the woods where he’ll be happy,” they’d urge, refusing to believe me when I told them that this wasn’t TV fantasy land and that there weren’t any “rangers” to take care of my bear problems.

All this raced through my head as I picked out my target and prepared to fire.  It would have to be either the head or the heart, and the heart made more sense; it would be too easy to miss his head altogether, whereas I only had to hit him somewhere in the vicinity of the heart to stop him getting away.

I struggled to get my breath under control, reminded myself to squeeze rather than pull the trigger, but at the crucial moment my concentration broke, my arm jerked slightly, and while a deafening explosion rang out across the canyon, the bear didn’t go down.  Instead, he jerked spasmodically, his hindquarters lurching into the air.  After the briefest of pauses, he went tearing off at breakneck speed into the woods, down the hill, and out of sight.

I had to have hit him somewhere; his body was far too broad a target for me to have missed entirely.  Yet it was hard to imagine a wounded animal being able to move the way he had done.  And when I examined the area the following morning, I found not a trace of blood or fur.

Nonetheless, I continued to tell myself – and anyone who would listen – that I must have at least winged him.  Why else, I argued, would he have never come near the house again?  I did run into him one more time, about six months later, down at the bottom of the hill, at least half a mile from the house.  The two of us were face-to-face, alone in the woods, and I was unarmed, but he took one look at me and ran away.

But now that I had vanquished, or at least banished, my black beast, I began drifting away from the land again.  So, too, did my animals; the last of the cats disappeared for good, leaving Kong entirely on his own.  With no bear to worry about, I could leave him a month’s worth of food at a time.  I felt bad thinking about him wandering around alone up there, but still couldn’t seem to find time to visit more often.

Then one chilly February evening I realized it had been too long – less than a month, true, but in winter it was more important to keep the food supply replenished, since I never knew when I might get snowed out.  On the spur of the moment I grabbed my pal Robert Eggplant and took a late night dash up to the mountain, stopping at the Willits Safeway for a couple 50-pound bags of dog food.

There was not much snow on the roads, but a lot of frost, its crystals sparkling and shimmering beneath the headlights.  I could hear and feel the ground crunching under my wheels as I pulled into the driveway.  Just after rounding the bend above the house, I ran over a rock or a log that, as often happened in winter, must have fallen onto the road from the hillside above.

It was enough of a bump that I thought I’d better check to see if it had done any damage to the car, but figured I’d wait until I got down to the house.  Kong was nowhere to be found, which was very unlike him; in the more than 12 years since he’d come to live there, I’d never known him to wander out of hailing distance from the house.

With a sinking feeling, I remembered the bump in the road, and walked back up the driveway to find Kong’s corpse, frozen so stiff that my car hadn’t put a dent in it.  If there was any consolation to be had, there was plenty of dog food left under the house, so at least he hadn’t starved to death.  He’d been showing his age for a while; 12 years isn’t a long lifespan for a city dog, but mountain life tends to be a bit harder on both animals and people.  Ruf-Ruf had been the same age when she’d given up the ghost.

I got out my guitar and played a memorial song for Kong; lacking anything in my repertoire about deceased dogs, I sang “Sam’s Song,” a number I’d written for my new band, the Potatomen, about the sad and lonely streets of Eureka.  The ground was frozen too hard to dig him a proper grave, but the following day a blizzard swept in and left him buried beneath the snow until spring.

To be continued…

 

 

 

Spy Rock Memories, Part 10

Spy Rock Memories, Part 10

From my back door the view stretched at least 30 or 40 miles.  The hills fell away until they reached the Eel River, then began to climb again until they turned into the full-fledged mountains that lined the horizon.  To the west of the river there were hippies, homesteaders, and a diehard handful of hillbillies, in other words, us; to the east was Indian land.

We mostly knew that, if only vaguely, but seldom talked or thought about it except maybe when looking for interesting tidbits with which to regale visiting city friends.  “Indian land” sounded ancient and exotic, but I’m not sure the full implications ever sunk in, maybe because from that elevation and distance, the millions of trees carpeting the mountainsides look more or less the same, regardless of the color or culture of the people dwelling beneath them.

Indian Island, site of the 1860 massacre.

Northern California’s Native American tribes were among the last to be subjugated by Europeans, not necessarily because they resisted more fiercely, but because the place itself – remote, precipitous, often nearly impenetrable – resisted subjugation.  But when, in the wake of the California Gold Rush, whites began arriving in significant numbers, they wasted no time in putting an especially bloody stamp on what had been a mostly peaceful land.

In Humboldt Bay, midway between Eureka and the Samoa Peninsula, lies a small island that was home to a band of Wiyot Indians.  Accounts vary, but it sounds as though a group of what we might today call good old boys were up drinking late one Saturday night and decided to do something about “the Indian problem.”  Armed with knives, clubs and hatchets, they descended on a native village and killed every inhabitant apart from one infant.  All of the dead were women, children or elderly; the tribe’s younger men were out collecting supplies for a religious ceremony.

Bret Harte, then an apprentice journalist in Eureka, sent this account to the New York Times:

A more shocking and revolting spectacle never was exhibited to the eyes of a Christian and civilized people. Old women wrinkled and decrepit lay weltering in blood, their brains dashed out and dabbled with their long grey hair. Infants scarcely a span along, with their faces cloven with hatchets and their bodies ghastly with wounds.

Sentiment among local whites, however, remained notably unsentimental.  The Humboldt Times, progenitor of today’s Eureka Times-Standard, editorialized:

For the past four years we have advocated two—and only two—alternatives for ridding our country of Indians: either remove them to some reservation or kill them. The loss of life and destruction of property by the Indians for ten years past has not failed to convince every sensitive man that the two races cannot live together, and the recent desperate and bloody demonstrations on Indian Island and elsewhere is proof that the time has arrived that either the pale face or the savage must yield the ground.

By the time the marauding posse had finished its morning’s work, as many as 200 Indians lay dead in several different locations.  The tribe’s population was decimated, and continued to decline dramatically, with disease, hunger and displacement all taking their toll.

Some of the first inhabitants of Nome Cult Farm, later to become the Round Valley Reservation, 1858.

To the south, in Mendocino County, events unfolded in a similarly grisly manner.  A militia captain named Walter Jarboe formed a paramilitary group called the Eel River Rangers that hunted down and killed Indians as if they were wild animals, and drove the survivors – “like cattle,” as many witnesses described it – into the Round Valley – that sloping, elegantly shaped expanse that I had looked out over and pondered ever since I came to the mountain.

Originally known as the Nome Cult Farm, what would become today’s Round Valley Reservation was chosen for its remoteness and inaccessibility, but neither factor stopped white settlers from tearing down fences and claiming its best lands.  The reservation might have looked vast from where I stood, and was the largest single piece of property set aside for Indians, but its 23,000 acres represented less than one half of one percent of Mendocino and Humboldt Counties, all of which had once been “Indian land.”

Native Americans made up about 5% of the area’s overall population, but in our neck of the woods, the proportion was much higher: nearly 20% of Laytonville’s citizens and close to half of Covelo’s.  Yet they remained strangely invisible, an almost phantom presence in a place where for thousands of years they had been the sole inhabitants.  Or perhaps the truth was that I – and, I think it’s safe to say, most of my neighbors – remained blind and/or oblivious to their presence.

Late one evening, I was chatting with the cashier at Albert’s Texaco in Laytonville when he asked if I could do him a favor by giving a lift home to “that Indian guy” who’d been hanging out in front of the station.  I didn’t have anything better to do, so I agreed; the man hopped into my truck and the next thing I knew, he’d talked me into driving 20 miles out of my way to retrieve some tools he’d left at a residence north of town.

He didn’t even ask very nicely; it was more along the lines of, “Hey, before you take me home, drive me up Woodman Canyon, okay?”  But there was something about his manner, not at all menacing, just quietly insistent, that made me want to do as he requested.  Besides, I kept reminding myself, it wasn’t as if I had somewhere else I needed to be.

I dropped him off – he never did mention his name, or anything else about himself – at the Rancheria, a small reservation nestled among the pines a couple miles southwest of town.  It was like a parallel, alternative version of Laytonville – one that I had never seen before and had only vaguely heard of.  He wandered off onto a long dirt road that wound past several plain wood cabins and disappeared into a low-hanging mist.

I never saw him again, and I’m not sure I would have recognized him if I had, but he made a powerful impression on me.  And the impression would abide: that once again my view of the county, the land, and its people had proved to be deceptively superficial.

Soon after that I finally got around to traveling out to Covelo, the county’s most remote and probably least visited town.  As the crow flies, it was not much more than 10 miles from my back porch, but the drive, which required a long, roundabout route by way of Laytonville, took the better part of an afternoon.

The road to Covelo.

Bruce Anderson often touted Covelo as one of his favorite places, and as one of the last remnants of the “real” Mendocino, but his opinion was, I suspect, a minority one.  Many locals gave it a wide berth, considering it somewhat beyond the pale, even by Emerald Triangle standards.

I found it more sad than fearsome; despite the exquisite natural surroundings, the town looked fleabitten and hard done by, like something you’d expect to find in rural Appalachia rather than the prosperous precincts of the Golden State.  To be fair, that had been my initial impression of Laytonville, too, and while our town still didn’t look like much, economically, it was booming.

For all the havoc it had wreaked on the community, CAMP’s attempt to wipe out the marijuana trade had achieved precisely the opposite effect: the increased risk involved in bringing a crop to harvest had caused prices to rise to unprecedented levels, which in turn prompted nearly everyone with access to a patch of land to throw a few plants in the ground.

As a result, the marijuana gold rush was producing riches even greater than before the crackdown, benefiting not only the growers, but also the many ancillary businesses that provided them with the necessities of their trade and the luxuries they could now afford.  Even rank amateurs understood the basics – don’t grow out in the open sunlight and don’t get too greedy – and if they didn’t, an unpleasant encounter with the CAMP raiders would soon teach them.

Ironically – and, slightly to my chagrin – my own days as a grower were coming to an end just when I’d started to get halfway good at it.  I planted my last crop in 1990, resisting the temptation to make it an extra large one.  It turned out to be the right decision; I no longer had the time, energy or inclination to look after it.

Covelo city limits.

Significant amounts of money were starting to flow in from the record label, not enough to make a living, but enough to encourage me to keep at it.  That spring I released the first full-length album by Green Day, along one by Neurosis, both of which sold far better than I would have dared hope.  It still seemed like a crazy impossibility that I’d ever be able to rely on punk rock records as a primary source of income, but maybe not so crazy as I’d once thought.

Despite my improving circumstances, I spent way too much time worrying about my future, not just in a material sense, but an existential one as well.  I was in my 40s now, and troubled by the idea that I might spend the rest of my life scrambling to make ends meet.  I was also experiencing a gnawing discontent triggered by the notion that time was running out for me to do something “important” or “worthwhile” with my life.

True, the bands who were getting exposure for their music, not to mention actually getting paid for it, thought what I was doing was worthwhile, but I was consumed with fear that anything that easy and that much fun had to be morally suspect.  Perhaps I hadn’t left my Catholic upbringing – the part that idealized suffering and martyrdom – as far behind as I thought.

There’d been a time, much earlier in life, when I’d had aspirations to be a teacher.  Bombing out of college on five separate occasions, not to mention my criminal history and nearly nonexistent employment record, seemed to have put an end to that ambition, but someone pointed out to me that I might still be able to work part time as a substitute teacher.  Apparently background checks were minimal, and the only real requirements were a college degree and passing a basic competency test.

It looked like the perfect solution: work two or three days a week doing something that both I and society at large could agree was “respectable,” and spend the rest of my time running the record label.  I assumed, of course, that I’d be an excellent teacher; there were few things I enjoyed more than hearing myself talk, so it stood to reason that my students would feel the same way.

Looking out over Round Valley.

My exaggerated self-regard was further buoyed when a Eureka High School teacher I met at a punk rock show asked me, “How do you do it?  I can’t seem to get these kids to read anything, but everywhere I look I see them with their noses buried in your magazine.”

“Write about interesting things,” I somewhat arrogantly answered, failing to consider – and as friends with actual teaching experience would point out – that kids were probably attracted to Lookout magazine by its irreverent attitude, its generous use of swear words, and its tendency to reduce complex problems to simplistic sloganeering.  They might not be so receptive to scholarly tomes about the decline of the Roman Empire or the evolution of English literature.

Untroubled by – in fact not even contemplating – that possibility, I decided it was time to acquire that seemingly trivial piece of paper, a college degree, that would enable me to pursue this latest scheme.  My last and best attempt to acquire one had crashed and burned in a miasma of alcohol and drug abuse back in 1977, but I was so much better than that now, or so I’d managed to convince myself.

Between then and 1965, when I’d made the first of my star-crossed attempts at higher education, I’d amassed a fair number of credits.  Exactly how many, I had no idea, but guessed I must be at least halfway to graduation.

Decades of pumping up my self-esteem through various means, many of them chemical, had convinced me there was not much I actually needed to learn at college.  It was a matter of jumping through the necessary hoops and filling out the appropriate paperwork, I told myself.  Something I could master in my spare time, probably with my eyes closed and one hand tied behind my back.

With that attitude, I looked around for the college that would be fastest, easiest and cheapest to breeze through.  Humboldt State in Arcata was the obvious choice.  It was the closest four-year school, and the only one I could attend without leaving the Emerald Triangle.  I knew people there, liked the area, and, judging from its reputation, it was not exactly the toughest place to get into or graduate from.

Downtown Covelo.

Even enrolling at HSU would mean leaving the mountain temporarily.  Arcata was two and a half hours away, so I could get back for the weekends, and, if necessary, the occasional daytrip, but it was too far for daily commuting to be a realistic prospect, especially once the winter snows set in.

But it would be worth it.  Once I started teaching, I could put in a phone (when I’d first moved to Spy Rock, extending phone service to the back side of the mountain would have run about $30,000, but the phone lines had been creeping closer over the years, to the point where between $3,000 and $4,000 might do the job), allowing me to turn my home into a full-fledged office for Lookout Records, which in turn would enable me to live happily ever after in my mountain aerie.

It would take one and a half, maybe two years to get my degree, I discovered.  I also learned, to my annoyance, that because of something called a “breadth requirement,” I’d have to pass at least one course each in science and math, two subjects I’d made a point of avoiding ever since high school.  Being logical, orderly and systematic had never been my strong suit.

Knowing these would be the toughest hurdle, I decided to get one of them out of the way and simultaneously give college a trial run that summer by enrolling in a basic environmental science course at Eureka’s College of the Redwoods, widely known by irreverent locals as “College of the Retards” and/or “College of the Deadheads.”

John Denery, who sang and played guitar for that most Arcata-ish of bands, Brent’s TV (their hallmark was playing most of their shows on street corners and parking lots, or, most legendarily, in laundromats), was going away for the summer, so I sublet his apartment, packed a few belongings, and headed north to Humboldt County.

The dogs and cats, accustomed to my constant comings and goings, looked on bemusedly.  By now they’d come to trust that, if nothing else, I’d always show up in time to replenish their food supply.  Neither they nor I suspected that I’d never again be back to stay.

Its disparaging nicknames notwithstanding, CR provided a good if not overly arduous re-entry into the world of formal education.  Class and homework took up three or four hours a day; the rest of the time belonged to myself and Lookout Records.

Gone was the unrelenting sunshine of a Spy Rock summer; here, where the mountains flattened out into a broad coastal plain, life was lived under an almost perpetually cloud and fog-shrouded sky.  If the Humboldt Bank sign was to be believed, the temperature hovered at a constant 54 degrees from June right through to September.

Arcata.

Redwood Summer kicked off with a mass demonstration at the Samoa pulp mill, but after all the planning and anticipation, it did so without the benefit of my presence.  Instead, I spent that afternoon on my back in the emergency room at Mad River Hospital, convinced that I was dying.  It turned out to be nothing more than a painful bout of kidney stones, but I spent the couple hours it took them to make that diagnosis tearfully composing my goodbyes and regrets.

Much as when I’d been buried in the snowbank, I became fixated on the notion that my life was ending just as I was finally figuring out how to live.  By the time I was discharged, armed with a bottle of painkillers and a warning that I could be looking forward to months or even years of similar attacks (which turned out to be true), I’d undergone a fundamental shift in attitude.

It wasn’t that I’d lost sympathy for the redwoods or the environment, but I had lost interest in putting my body on the line in their defense.  I was not proud of this; in fact I was rather ashamed, but some of the fiery, confrontational spirit had gone out of me.

I could still shoot my mouth off in print, but couldn’t find the heart or the courage to go face-to-face or toe-to-toe with riot cops, undercover FBI agents, and pissed-off mill workers.  Though I did attend a couple events, including the summer’s closing march and demonstration in Fort Bragg, in a replay of the self-obsessed 70s, I spent most of the summer “taking care of me.”

Could this change of heart have had anything to do with the bomb that had exploded in Judi Bari and Darryl Cherney’s car a month earlier as they drove to a Redwood Summer organizing meeting?  Like many people, I had responded with a mixture of fury and fear, but in my case, the fear seemed to predominate.  In an ongoing debate with myself, I wondered if my pullback from frontline political activity was a cowardly retreat or a prudent withdrawal.

I was reminded of the way I’d reacted when Diana Oughton, a woman I’d known casually – though well enough to develop a crush on – blew herself up making bombs for the Weather Underground.  That, combined with the shootings at Kent State, reduced me to an apolitical – and, it might be fair to say, self-indulgent – state that lasted until the 1980s, when Ronald Reagan finally managed to rekindle my sense of outrage.

Welcome to the Arcata Plaza.

In any event, honesty requires me to acknowledge that as the battles of Redwood Summer unfolded, I was preoccupied with making records, learning to skateboard, and falling in love with the cool, gray dream world that Arcata had become for me.  The passion I felt for that place was unlike any I’d experienced before, all the more so because I couldn’t even put my finger on anything particularly special about it.

Its attractions and charms were subtle and small, to the point of being invisible to casual visitors, and maybe even to many of the locals.  Perhaps it was the pervasive sense of timelessness and tranquility, something, friends pointed out, that would largely vanish once the HSU students began returning from their holidays.

And with summer fast disappearing, a decision loomed for me, one I wasn’t looking forward to but would have to make nonetheless.  Would I stay on in Arcata, as I very much wanted to do, and finish my degree at HSU?  Or would I have to bite the bullet and admit that Berkeley was the better choice?

I’d been a student there in the 70s, but had always assumed that I’d destroyed my chance of ever returning when I simply stopped showing up in mid-semester.  It wasn’t the first college I’d pulled that stunt at, and each of the previous times I’d tried it, I had unceremoniously been given the boot.

Berkeley, it turned out, was far more forgiving.  A visit to the registrar’s office in Sproul Hall revealed that not only was I still a student in good standing, but that I’d somehow managed to obtain a B+ in one of the classes – a graduate seminar, no less – that I hadn’t attended for the last two months of the term.

Re-enrolling at Berkeley, I was advised, would entail nothing more than filling out a few forms.  It would be far easier, in fact, than arranging a transfer to HSU.  Even still, I had little desire to return to the Bay Area, and was desperately unhappy at the prospect of leaving Arcata.

I went anyway, and to this day occasionally wonder if I did the right thing.  Was it vanity, the notion that a Berkeley diploma would look better on my wall than one from HSU?  Or a determination to get the best possible education?  Some of both, I suppose.  I remember the day I made my final decision: I had just read a San Francisco Chronicle article about graduating high school seniors and the desperate measures they were resorting to in hopes of gaining admission to the crown jewel of the UC system.

Entrance standards had grown far more stringent since I’d started at Berkeley, making it unlikely that I’d be able to study there if I were starting out as a freshman.  Wouldn’t I be foolish to pass up an opportunity that was afforded to so few?  My brother had a $98-a-month rent-controlled room just three blocks off campus that he’d been using as a workshop to build windsurfing boards; he agreed to turn it over to me for my college residence, and the die was cast.

With my decision made, the remainder of the summer tore by, tinged with growing sadness at the prospect of saying so long to Arcata and Humboldt.  My tight-knit little coterie of friends threw a farewell party for me, and I very nearly cried – okay, a tear or two may have inadvertently escaped – at the thought that I’d no longer be randomly running into one or several of them at Los Bagels, crossing the Plaza, or perusing the racks at People’s Records.

On the bright side, it had been a productive – and profitable – summer.  Determined to prove I could run the label on my own now that David Hayes had jumped ship, I’d gone on a record-releasing spree, coming out with 10 7” EPs in June alone.  I also got together with my band, the Lookouts, to record a few songs.  We’d been drifting apart over the previous year, not because of any bad blood, just that life had taken us in different directions and it was rare for all three of us to be in the same vicinity at any given time.

It would prove to be the last – and easily the best – work we ever did.  Hoping to beef up our sound, I asked Green Day’s Billie Joe Armstrong to join us on lead guitar and backing vocals.  It would be the first time that Billie and Tre played music together.

Around that same time, Green Day began their first national tour with a stop in Arcata.  As often happened in that very laid back town, the original show fell through – it’s possible, even likely, that someone had completely forgotten to book it – and they wound up playing in the living room of someone’s apartment across from the Greyhound station on 10th Street.

Soon afterward it emerged that Al Sobrante, their original drummer, wanted to put the band on hold while he spent a couple years at HSU having, as he put it, “the full college experience.”  Billie asked Tre if he’d like to fill in on drums, and in November I watched Tre play his first show with Green Day at a student co-op on Berkeley’s North Side.

They’d always been an excellent band, but Tre’s skill catapulted them into a whole new dimension.  I knew on the spot that Green Day were headed for much greater things and that the Lookouts, after five and a half years, were history.

A more seemly - and possibly retouched - photo of the Plaza. Note, for example, the dazzling blue sky and sunshine.

That disappointment aside, Berkeley was turning out better than I’d expected.  Still, it felt a little unreal, as though I were on an extended holiday in an educational theme park.  Home still lay high atop Spy Rock, on the hind flanks of Iron Peak.  In the midst of a less than enthralling lecture, or while plowing through some abstruse passage of Marx or Freud, or as I blearily compiled sales and disbursement charts at 3 o’clock in the morning, my mind and heart inevitably went drifting back there.

Getting my body there was another matter.  It had been easy when I was living in Arcata; I’d drive down to Garberville on Saturdays for the radio show, then continue south to Laytonville.  After my class at College of the Redwoods ended in late July, I’d usually go twice a week.  But the trip from Berkeley took much longer because of the greater distance and the traffic nightmare that was Santa Rosa.  Increasingly, it became easier to say, “I’ll go next week.”

I’d come to rely on a neighbor stopping by to feed the animals, which encouraged that kind of procrastination.  I never doubted I’d be going back for good when my education was done – which, at the rate I was proceeding, would be in late 1991 or  early 1992 – but while I was too busy to notice, life was busy making other plans.

There were new friendships and relationships, there was my growing reliance on the conveniences of urban life, but most of all there was the record label, which continued to grow faster and larger than I would have imagined possible.  By early 1991 I had two fulltime employees, a roster of a couple dozen bands, and a balance sheet that, while full of promise, was also a daunting challenge to someone with my limited understanding of bookkeeping and accounting.

Still, it didn’t seem that terribly complicated: as long as we paid our bills and didn’t spend more than we had, we should be fine, right?  This fundamental principle carried us forward while our business was roughly doubling in size every year.

Another year or so, I kept telling myself, and this will all get a lot simpler.  Once I graduate, I’ll have more time than I know what to do with.  Meanwhile, my visits to Mendocino County continued to grow shorter and less frequent.

I saw the same people – though far less often – and the same places – though missing the subtle changes one notices when passing regularly and constantly through a landscape.  My connection to the land was fraying, if not yet broken; instead of getting back to where I had once belonged, I was slowly fading away.

To be continued…

 

Ten Years

Ten Years

It was exactly 10 years ago tonight that I had my last drink.  I’d been stopping and starting for a year or two.  I’d get sick of myself getting sloppy drunk again and again when I’d only intended to have a civilized glass (or two) of wine with dinner, so I’d pull the plug and stop cold turkey.

The first couple days would be awful, but by the third or fourth I’d be feeling pretty good, and by the fifth and sixth, I’d be on top of the world.  Should have done this years ago, I’d tell myself, and by the seventh and eighth days I’d be telling everybody else, because by then I was feeling distinctly superior to the mere mortals who were still slaves to alcohol.

By the ninth day, I’d be getting a little irritated that my Nobel Peace Prize hadn’t arrived yet, and a little annoyed that so many people – friends, relatives, colleagues and strangers – showed no sign of appreciating what a marvelous accomplishment it was that I hadn’t had a drink in over a week.

And on the tenth day or thereabouts, I’d be starting to annoy myself.  Hadn’t I proved that I didn’t have a drinking problem?  Not just that I didn’t have a drinking problem, but that I was a human being of rare and impeccable moral character.  How many people, after all, could go ten whole days without drinking alcohol?  Practically none, as far as I knew.

In fact, I thought, wasn’t it possible that I was overdoing this whole temperance business?  Moderation in all things, including moderation, wasn’t that how the saying went?  It wasn’t that I wanted to get drunk – why, it went without saying that I was never again going to get drunk; only weaklings and moral defectives did that – but surely a beer or a glass of wine now and then wouldn’t hurt.   In fact, it would probably help.

Not for my sake, of course, but for the sake of others that I had to get along with.  There was such a thing as being too perfect, my reasoning went; now that I had licked my alcohol problem, er, I mean, proved I’d never had one in the first place, it would make perfect sense to have a single celebratory drink – or maybe two very small ones – in an appropriate social setting.

Heck, why wait until I got into the social setting when it would be more efficient to have that drink before I got there; that way, I’d arrive relaxed and affable and ready to slip into the swing of things.  Okay, two drinks, just in case it was a tough crowd.  Sometimes that drink or two would open the floodgates and I’d instantly be back on an idiot’s drunken binge; other times, I’d just have the one or two and wait another couple days before descending into full-fledged drunkenness.

But the end result was always the same.  Regardless of my intentions, regardless of the most fervent efforts of my will, I’d end up drunk again, depressed again, with my physical and emotional well-being deteriorating alarmingly, and increasingly unable to see any value or point to going on with the sort of life I was living.

The tail end of summer, 2001 was especially tumultuous and disturbing.  I’d stopped drinking in mid-August, fallen spectacularly off the wagon during the Reading Festival on the last weekend of the month, then cleaned up again in the wake of September 11, when after drinking myself into a sodden, jellied mass of protoplasm plopped in front of the TV for the first couple days following the attack on the World Trade Center, it occurred to me that I didn’t want to be such a helpless mess should the terrorists turn their attention to Notting Hill (not a likely prospect, as you’ll know if you’re familiar with the place, but rationality was not my strong suit at the time).

So the next ten days were sober ones, and as usual I grew in wisdom, strength and grace while I contemplated the glory that would be mine when I led my neighborhood defense committee in turning back the terrorist menace.  And I had no intention of drinking again, I was quite sure, until I heard that my old friend Danny had arrived back in London from a year-long hitchhiking and backpacking trip around the world.

He had been pretty much my best friend in London, and we’d spent many a happy hour sitting around pubs talking over the day’s crucial historical, political and social issues.  Pubs being pubs, we’d generally lubricated our discussions with a few pints of beer.

Danny wasn’t much of a drinker; he’d typically only have one or two pints, which I found both inexplicable and exasperating.  If you were going to drink, I figured, then you should drink, and not lollygag around sipping a little beer here and a little there, sometimes not even finishing your whole glass.

The worst thing, though, was that it cramped my style.  I couldn’t very well down two or three pints for every one that Danny did.  Well, I could, but it wouldn’t look so great, would it?  So with great pain, strife and forbearance, I’d match Danny’s drinking pace, and then, once I’d said good night to him, rush home or to another pub where I’d make up for lost time by drinking everything that I would have drunk if I hadn’t been so worried about what he might think.

Obviously Danny – like most normal people – couldn’t have cared less how much I drank, or even if I drank at all.  As long as I didn’t vomit on him, or shout too loud at him in public places, he was content with me consuming as little or as much as I chose.

But now, with our first meeting in a year looming, I felt horribly torn.  I wanted it to be like the old days, a couple of highly civilized gentlemen having a highly civilized conversation over a few pints, but at the same time, I was worried sick that if I made even a one-night-only exception to my no-drinking rule, I’d be back in the soup again.

In the middle of going back and forth over this, the phone rang; an old punk rock friend who’d been sober for years was calling to see how I was doing.  I told him about my dilemma, and he said, “Well, you’re free to do whatever you want, but instead of worrying about not drinking again for the rest of your life, why don’t you just focus on tonight?  You can always change your mind tomorrow, but just for today, try making a decision not to drink.”

That made sense, and I promised him I would try it, but I knew all along I wouldn’t have the nerve to tell Danny I was going to have an orange juice or a 7-Up instead of a beer.  We went to the pub, had two pints each, and were busily catching up on what had happened in the year since we’d last seen each other.  Around 11 pm, which was the hour that most pubs closed, it became apparent that this pub had a late license.

We could – if we chose – carry on for another three hours.  I got up to go to the bathroom, and on my way there, realized, thanks to my leaden feet and sluggish mental reactions, that I was already as drunk as I needed or wanted to be.  It was impossible, I protested.  I’d only had two pints, a fraction of my normal intake. But it was undeniably true.

So I had a choice of sitting there for another three hours drinking nothing, sipping soft drinks, or telling Danny I’d had enough and calling it an early night.  You can probably guess the choice I made: three more pints of extra strong lager, and by the time we parted company I was in enough of a state that I still don’t know how I made it home from Kentish Town to West London.

I woke up the next morning with the worst hangover of my life, and the pain was only exacerbated by the knowledge that I hadn’t drunk nearly enough to merit this sort of suffering.  Why, I’d downed ten pints and a bottle of whiskey and felt better than this.  But logic was of no avail; all day Saturday and all day Sunday, I lay there in agony, cursing alcohol for turning on me and myself for having turned back to alcohol.

It was Monday evening before I felt well enough to leave my room, let alone the house.  I was still shaky, but I’d already racked up my first three days of sobriety.  Since then, I’ve counted 3,649 more (including leap years), and today I’ve reached what once would have been the unimaginable milestone of 10 years without a drink.

And what do I have to show for it?

In a word: everything.  I probably wouldn’t be alive today if I hadn’t stopped drinking when I did.  At least half a dozen people I know weren’t so fortunate and did in fact pass away during the time I’ve been sober.  More than just being alive, though, I have reasons – abundant reasons – for wanting to be alive.  That wasn’t always the case.  I enjoyed some material blessings, and some of the trappings of success, but they were never enough to give my life purpose or meaning.  For most of my adult life (and the bulk of my childhood as well), I was one of the most miserable, unpleasant, arrogant, sarcastic and insensitive sonofabitches you’d ever not want to meet.

It probably goes without saying that during most of that time I was deeply depressed, frequently to the point of seriously contemplating suicide.  I may not have completely freed myself from the arrogance and insensitivity, though I think I’ve made progress, but the depression is almost completely gone, and without the use of shrinks, psychiatric drugs, or anything else more remarkable than a substance-free existence and an assiduous effort to clear up the wreckage of my past.

I laugh a lot these days – not always at things that “normal” people would consider funny, it’s true – but though I’ve still got many of the same worries and problems – especially in the finance and romance departments – that I had 10, 20, 30, even 40 years ago, they just don’t seem to faze me in the way they once did.  My writing is getting better, my music is getting better, but most of all the quality of my life and my interactions with my fellow human beings is increasing by leaps and bounds.  For the first time in my life, I can unhesitatingly say, on almost any given day, that I am enormously happy and grateful and thrilled just to be alive.

Do I miss anything about the old days?  The jagged romance of hanging out in late night boozers, of staggering comically into oblivion, the poetic mystique of the beautiful but doomed loser drinking himself into the grave over lost love or unfulfilled ambition?  Sure, there’s a certain dark charm to all that, but it’s one that I can live – and have lived – very happily without.  Once – and for a very long time – I didn’t know anything else, but now I do, and it’s nothing short of awesome.

So it’s a day for celebration, but also a day for quiet thanksgiving, for remembering those who weren’t so fortunate and didn’t make it.  And, of course, to acknowledge the people who offered me a helping hand, some useful advice, or just a kind word or smile over the years.  Some of you know who you are; others of you may have no idea that some seemingly insignificant thought or gesture on your part played a vital role in saving my life and making it shine.  To all of you, thank you so very much; I could never have made it without you.